{"id":108602,"date":"2023-09-26T12:29:19","date_gmt":"2023-09-26T09:29:19","guid":{"rendered":"https:\/\/milliycha.uz\/?p=108602"},"modified":"2023-09-26T12:29:22","modified_gmt":"2023-09-26T09:29:22","slug":"husayn-jovid","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/husayn-jovid\/","title":{"rendered":"Husayn Jovid"},"content":{"rendered":"\n<p>Husayn Jovid (taxallusi; asl nomi Husayn Rasizoda) (1884.24.10, Naxichevan \u2014 1944) \u2014 Ozarbayjon shoiri, dramaturg. Ozarbayjon romantizmining yirik vakili va asoschilaridan biri. Istanbul universitetida o&#8217;qigan (1905-09). &#171;O&#8217;tgan kunlar&#187; (1913), &#171;Bahor shabnamlari&#187; (1917) she&#8217;riy to&#8217;plamlari va &#171;Shaydo&#187; dramasi (1917)da xalqning adolatsizlik, zulmga qarshi isyoni aks etgan. &#171;Ona&#187; (1910), &#171;Maral&#187; (1912), &#171;Shayx San&#8217;on&#187; (1912-14) dramalarida va &#171;Iblis&#187; tragediyasi (1918)da gumanizm va insonparvarlik g&#8217;oyalari ilgari surilgan. &#171;Payg&#8217;ambar&#187; (1922), &#171;To&#8217;pol Temur&#187; (1926), &#171;Knyaz&#187; (1929), &#171;Siyovush&#187; (1933), &#171;Xayyom&#187; (1936), &#171;Iblisning intiqomi&#187; (1936) kabi tarixiy va falsafiy dramalar yozgan. &#171;Maral&#187;, &#171;Iblis&#187;, &#171;Shayx San&#8217;on&#187;, &#171;To&#8217;pol Temur&#187; 20-yillarda Xurshid tomonidan o&#8217;zbek tiliga tarjima qilingan. &#171;Shayx san&#8217;on&#187; dramasi Hamza nomidagi O&#8217;zbek akademik drama teatrida sahnalashtirilgan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Husayn Jovid (taxallusi; asl nomi Husayn Rasizoda) (1884.24.10, Naxichevan \u2014 1944) \u2014 Ozarbayjon shoiri, dramaturg. Ozarbayjon romantizmining yirik vakili va asoschilaridan biri. Istanbul universitetida o&#8217;qigan (1905-09). &#171;O&#8217;tgan kunlar&#187; (1913), &#171;Bahor &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/husayn-jovid\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[212],"tags":[],"class_list":["post-108602","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-h-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/108602","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=108602"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/108602\/revisions"}],"predecessor-version":[{"id":108610,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/108602\/revisions\/108610"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=108602"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=108602"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=108602"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}