{"id":110431,"date":"2023-10-07T10:17:56","date_gmt":"2023-10-07T07:17:56","guid":{"rendered":"https:\/\/milliycha.uz\/?p=110431"},"modified":"2023-10-07T10:18:00","modified_gmt":"2023-10-07T07:18:00","slug":"osheyko-anatoliy-kuzmich","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/osheyko-anatoliy-kuzmich\/","title":{"rendered":"Osheyko Anatoliy Kuzmich"},"content":{"rendered":"\n<p>Osheyko Anatoliy Kuzmich (1913.14.1, uzoq Sharq o&#8217;lkasidagi Lipovsi shahri -1987.2.11, Toshkent) \u2014 grafik rassom, O&#8217;zbekistonda xizmat ko&#8217;rsatgan san&#8217;at arbobi (1974). Vladivostok shahridagi badiiy maktabda o&#8217;qigan (1928-30). 2-jahon urushi qatnashchisi (1941-45). Turkiston harbiy okrugi siyosiy ishlar bosh boshqarmasida rassom (1946-49), &#171;O&#8217;zbekiston xotin-qizlari&#187; jurnalida badiiy muharrir (1947\u2014 60), O&#8217;zbekiston davlat nashriyotida bosh rassom (1960-87). Osheyko ijodida kitob bezagi va grafika yetakchi o&#8217;rinni egallaydi. &#171;Yosh O&#8217;zbekiston&#187;, &#171;O&#8217;zbek xalq she&#8217;riyati&#187;, &#171;Oltin qishloq&#187; (M. Mirshakar), &#171;shu&#8217;la&#187; (M. Shayxzoda) va boshqalar. Kitoblar bezagida o&#8217;zbek xalq amaliy bezak san&#8217;ati an&#8217;analaridan ijodiy foydalangan. Linogravyuralari (&#171;Quyosh botishi. Samarqand&#187;, &#171;Qirov&#187;, &#171;Qish. Anhor&#187;, &#171;katta energiya&#187; va boshqalar)da keskin ranglardan mohirona foydalanib, manzara, holatlar ifodaliligi va ta&#8217;sirchanligiga erishgan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Osheyko Anatoliy Kuzmich (1913.14.1, uzoq Sharq o&#8217;lkasidagi Lipovsi shahri -1987.2.11, Toshkent) \u2014 grafik rassom, O&#8217;zbekistonda xizmat ko&#8217;rsatgan san&#8217;at arbobi (1974). Vladivostok shahridagi badiiy maktabda o&#8217;qigan (1928-30). 2-jahon urushi qatnashchisi (1941-45). &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/osheyko-anatoliy-kuzmich\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[225],"tags":[],"class_list":["post-110431","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-o-harfi-2","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/110431","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=110431"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/110431\/revisions"}],"predecessor-version":[{"id":110439,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/110431\/revisions\/110439"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=110431"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=110431"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=110431"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}