{"id":114843,"date":"2024-01-29T07:20:48","date_gmt":"2024-01-29T04:20:48","guid":{"rendered":"https:\/\/milliycha.uz\/?p=114843"},"modified":"2024-01-29T07:20:53","modified_gmt":"2024-01-29T04:20:53","slug":"noktyurn","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/noktyurn\/","title":{"rendered":"Noktyurn"},"content":{"rendered":"\n<p>Noktyurn (Fransuzcha nocturne \u2014 tungi) \u2014 1) 18-asr Yevropada, asosan, puflama yoki torli va puflama sozlar ansambllari uchun kechki ochiq havoda ijro etiladigan syuita shaklidagi kichik pyesalar turkumi (masalan, V. Mosart, Y. Gaydn asarlari); 2) 19-asrdan kuychan, lirik xarakterdagi, ko&#8217;pincha tun obrazi va sokinligi bilan yo&#8217;g&#8217;rilgan musiqa asari. Sekin yoki o&#8217;rtacha sur&#8217;atda bo&#8217;lib, o&#8217;rta qismi jonliroq. Noktyurnning ilk namunasi fortepiano uchun J. Fild (Angliya) tomonidan yaratilgan, F. Shopen ijodida yetuk badiiy rivoj topgan. Noktyurn ayrim cholg&#8217;ular, shuningdek, ansambl (A. Borodinning 2-torli kvartetidagi Noktyurn), orkestr (masalan, K. Debyussining Noktyurnlari) uchun ham yozilgan. Noktyurn ba&#8217;zan vokal musiqada ham uchraydi (J. Rossini, M. Glinka va boshqalar). O&#8217;zbekiston kompozitorlaridan A. Kozlovskiyning &#171;Lola&#187; Fargona syuitasida, G. Mushelning &#171;Kashmir afsonasi&#187; baletidagi Noktyurn; X. Izomov, B. Zeydman, S. Varelaslarning fortepiano pyesalari, I. Akbarov, M. Yusupovlarning vokal asarlaridan Noktyurn va uning xususiyatlaridagi lavhalar o&#8217;rin olgan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Noktyurn (Fransuzcha nocturne \u2014 tungi) \u2014 1) 18-asr Yevropada, asosan, puflama yoki torli va puflama sozlar ansambllari uchun kechki ochiq havoda ijro etiladigan syuita shaklidagi kichik pyesalar turkumi (masalan, V. &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/noktyurn\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[221],"tags":[],"class_list":["post-114843","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-n-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/114843","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=114843"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/114843\/revisions"}],"predecessor-version":[{"id":114865,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/114843\/revisions\/114865"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=114843"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=114843"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=114843"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}