{"id":115129,"date":"2024-02-01T16:28:02","date_gmt":"2024-02-01T13:28:02","guid":{"rendered":"https:\/\/milliycha.uz\/?p=115129"},"modified":"2024-02-01T16:28:09","modified_gmt":"2024-02-01T13:28:09","slug":"niyozmatov-ibodulla-abdullayevich","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/niyozmatov-ibodulla-abdullayevich\/","title":{"rendered":"Niyozmatov Ibodulla Abdullayevich"},"content":{"rendered":"\n<p>Niyozmatov Ibodulla Abdullayevich (1942.17.10, Xiva tumani-2003. 20.9, Urganch) \u2014 rejissyor, O&#8217;zbekistonda xizmat ko&#8217;rsatgan san&#8217;at arbobi (1980). Toshkent teatr va rassomlik san&#8217;ati institutini tugatgan (1970). 1971 yildan Xorazm musiqali drama teatrida ishlaydi. Niyozmatov sahnalashtirgan spektakllar chuqur psixologik talqini, dramatik to&#8217;qnashuvlarning o&#8217;tkirligi, voqealar rivoji va boshqalar bilan diqqatga sazovor. &#171;Abu Rayhon Beruniy&#187; (uyg&#8217;un), &#171;birovning tashvishi&#187; (O&#8217;. Hoshimov), &#171;Monserro&#187; (E. Robles), &#171;Ibn Sino&#187; (A. Shalomayev), &#171;nurxon&#187; (K. Yashin va T. Jalilov), &#171;Ajdodlar qilichi&#187; (E. Samandarov), &#171;Layli va Majnun&#187; (Xurshid), &#171;Marvarid taqqan ayol&#187;, &#171;Feruz&#187; (K.Avaz, O. Ibrohimov) va boshqa spektakllarni sahnalashtirgan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Niyozmatov Ibodulla Abdullayevich (1942.17.10, Xiva tumani-2003. 20.9, Urganch) \u2014 rejissyor, O&#8217;zbekistonda xizmat ko&#8217;rsatgan san&#8217;at arbobi (1980). Toshkent teatr va rassomlik san&#8217;ati institutini tugatgan (1970). 1971 yildan Xorazm musiqali drama teatrida &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/niyozmatov-ibodulla-abdullayevich\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[221],"tags":[],"class_list":["post-115129","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-n-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/115129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=115129"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/115129\/revisions"}],"predecessor-version":[{"id":115146,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/115129\/revisions\/115146"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=115129"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=115129"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=115129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}