Nag’ma, nag’am (Arabcha \u2014 kuy) \u2014 1) Sharq musiqa ilmida musiqa tovushi; ton. Muayyan balandlikda sadolanib turishi bilan tabiatdagi boshqa tovushlardan farq qiladi. Sharqolimlari Nag’ma ni 2 xil turga bo’lishgan: qavliy (inson tomog’idan chiqadigan) Nag’ma va fe’liy (musiqa cholg’ularidan hosil qilinadigan) Nag’ma kuy, qo’shiq va ashulalar ritm bilan Nag’malar uyushmasidan tarkib topadi. Nag’malar qo’shilishidan bo»d, jins, jam, maqom pardalari va, nihoyat, yaxlit kuy \u2014 musiqa asarlari hosil etiladi. O’rta asr musiqa risolalarida yozilishicha, tovushlar bir-biri bilan maqsadga muvofiq ravishda ma’lum vaqt oralig’ida ko’shilgandagina Nag’ma deb hisoblanadi. O’tmishda Nag’malar yunoncha va Arabcha iboralar bilan ifodalangan. Arabcha atamalari asomiy nag’amot («Asmo’unnag’am») deyilgan; 2) ohang, kuy. Nag’ma so’ziga ayrim qo’shimcha so’zlar bog’lanib, turli musiqa iboralari hosil etiladi. Masalan, Nag’ma boshi \u2014 Doston va boshqa ko’p qismli asarlarning cholg’u muqadsimasi, o’tmishda saroy musiqachilarining boshlig’i; Nag’magar, Nag’mazan, Nag’machi yoki Nag’ma Navoz \u2014 sozanda; Nag’mai orazi Navo Shashmaqom Navo maqomining cholg’u qismlaridan biri; Nag’ma kor yoki Nag’ma soz \u2014 bastakor; Nag’ma pardoz yoki Nag’ma capo \u2014 sozanda, xonanda. Xorazmda garmon cholg’usi Nag’ma deb ham ataladi.<\/p>\n","protected":false},"excerpt":{"rendered":"
Nag’ma, nag’am (Arabcha \u2014 kuy) \u2014 1) Sharq musiqa ilmida musiqa tovushi; ton. Muayyan balandlikda sadolanib turishi bilan tabiatdagi boshqa tovushlardan farq qiladi. Sharqolimlari Nag’ma ni 2 xil turga bo’lishgan: … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[221],"tags":[],"class_list":["post-115204","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-n-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/115204","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=115204"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/115204\/revisions"}],"predecessor-version":[{"id":115213,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/115204\/revisions\/115213"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=115204"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=115204"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=115204"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}