{"id":115825,"date":"2024-02-05T15:38:06","date_gmt":"2024-02-05T12:38:06","guid":{"rendered":"https:\/\/milliycha.uz\/?p=115825"},"modified":"2024-02-05T15:38:11","modified_gmt":"2024-02-05T12:38:11","slug":"ijodiy-hamkorlik","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/ijodiy-hamkorlik\/","title":{"rendered":"Ijodiy hamkorlik"},"content":{"rendered":"\n<p>Ijodiy hamkorlik &#8212; ikki va undan ortiq ijodkorning birgalikdagi ijodiy mehnati. Ijtimoii hayotga munosabati, hayotiy tajribasi, maslak va matlabi, e&#8217;tiqodi, tili, estetik g&#8217;oyalari, ijodiy uslubi yoki yo&#8217;nalishi bir- biriga yaqin ijodkorlar muayyan asarni birgalikda yaratishi mumkin. Masalan, badiiy ijodda: Chingiz Aytmatov bilan qozoq shoiri Muxtor Shoxonov hamkorlikda yaratgan &#171;cho&#8217;qqida qolgan ovchining ohi zori&#187; badiiy-publitsistik asar Ijodiy hamkorlikning yorqin namunasidir. 19-asrda yashab o&#8217;tgan frantsuz yozuvchilari aka-uka E. va J.de Gonkurlarning bir umr davom etgan ijodiy hamkorligi jahon adabiyotidagi noyob hodisadir. Teatr sohasida: rejissyor Bahodir Yo&#8217;ldoshevning &#171;Kelinlar qo&#8217;zg&#8217;oloni&#187; (Sayd Ahmad pyesasi), &#171;Iskandar&#187; (Sh. Rizaev pesasi) rassom G. Brim bilan Ijodiy hamkorlik natijasida yaratilgan. Bundan tashqari, tasviriy san&#8217;at (&#171;Amir Temur haykali&#187;, B. Usmonov, F. Ashrafiy, I. Jabbor), qo&#8217;shiqchilik (&#171;O&#8217;zbekiston madhiyasi&#187; A. Oripov she&#8217;ri, M. Burhonov musiqasi) sohalarida Ijodiy hamkorlik namunalari bor.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ijodiy hamkorlik &#8212; ikki va undan ortiq ijodkorning birgalikdagi ijodiy mehnati. Ijtimoii hayotga munosabati, hayotiy tajribasi, maslak va matlabi, e&#8217;tiqodi, tili, estetik g&#8217;oyalari, ijodiy uslubi yoki yo&#8217;nalishi bir- biriga yaqin &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/ijodiy-hamkorlik\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[199],"tags":[],"class_list":["post-115825","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-i-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/115825","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=115825"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/115825\/revisions"}],"predecessor-version":[{"id":115838,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/115825\/revisions\/115838"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=115825"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=115825"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=115825"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}