{"id":116041,"date":"2024-02-07T15:38:54","date_gmt":"2024-02-07T12:38:54","guid":{"rendered":"https:\/\/milliycha.uz\/?p=116041"},"modified":"2024-02-07T15:38:58","modified_gmt":"2024-02-07T12:38:58","slug":"palladio","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/palladio\/","title":{"rendered":"Palladio"},"content":{"rendered":"\n<p>Palladio (Palladio) (haqiqiy familiyasi Di Petro) Andrea (1508.30.11, Paduya (?) &#8212; 1580.19.8, Vichentsa) \u2014 italyan me&#8217;mori. So&#8217;nggi uyg&#8217;onish davri namoyandasi. Qadimgi va Renessans an&#8217;analari asosida shahar saroylari (Vichentsadagi Kerikati palassosi, 1550), shahar tashqarisidagi villalar (Vichentsa yaqinidagi &#171;Rotonda&#187;, 1551-67), ibodatxona (Venetsiyadagi Il-Redentore, 1592 yilda tugallangan), teatrlar (Vichentsadagi Olimpiko teatri, 1580-85) barpo etish uslubini ishlab chiqqan. Order tizimini ijodiy qo&#8217;llagan holda binolarni shahar yoki tabiat bilan o&#8217;zaro bog&#8217;lashga erishgan. Palladio ijodi va uning &#171;me&#8217;morlik haqidagi to&#8217;rt kitob&#187; traktati (1570) palladiochilik rivojiga imkon yaratdi, 17-18-asrlar Yevropa me&#8217;morligi yuksalishiga katta ta&#8217;sir ko&#8217;rsatdi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Palladio (Palladio) (haqiqiy familiyasi Di Petro) Andrea (1508.30.11, Paduya (?) &#8212; 1580.19.8, Vichentsa) \u2014 italyan me&#8217;mori. So&#8217;nggi uyg&#8217;onish davri namoyandasi. Qadimgi va Renessans an&#8217;analari asosida shahar saroylari (Vichentsadagi Kerikati palassosi, &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/palladio\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[226],"tags":[],"class_list":["post-116041","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-p-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/116041","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=116041"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/116041\/revisions"}],"predecessor-version":[{"id":116042,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/116041\/revisions\/116042"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=116041"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=116041"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=116041"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}