Muxammas (Arab. \u2014 beshlik) \u2014 Sharq she’riyatidagi she’riy shak- llardan, qofiyalanish tartibiga ko’ra tuzilgan she’r. M.ning har bir bandi 5 misradan iborat bo’lib, a\u2014a\u2014a\u2014a\u2014a, b\u2014b\u2014b\u2014b\u2014a, v\u2014v\u2014v\u2014v\u2014a, ba’zan esa a\u2014a\u2014a\u2014a\u2014a, b\u2014b\u2014b\u2014a\u2014a tar- zida qofiyalanadi. Bandlarning oxi- rida shoirtaxallusi keltiriladi. M. 1bandining 5misrasida qofiya sifati- da qo’llangan so’z shu misra bo’ylab 2-3 marta takrorlanadigan namunalari ham uchraydi (mas, dilkash, Komil Xoraz- miy, Feruz, Muazzamxon va b. ijodida). M.ning 2 turi bor: tab’i xud (mustaqil) va tazmin (taxmis). Birinchisida bar — cha beshlik mieralar bir muallifniki, ikkinchisi (taxmis)da ijodkor bironta ustoz, zamondosh shoir yoxud o’z g’azallari baytlarining har birini beshlik band- larga aylantiradi. Ikki shoir misra- lari payvandidan iborat she’r paydo qilinadi. G’azalning har bir bayti ol- didan o’zining uch misrasini qo’shadi. M. shoir uchun fikr-kechinmalarini chuqurroq ifodalash, bo-shqa shoirlar b-n musobaqalashish, kuch sinash, bahslashuv vositasi bo’lgan. M.ning o’zbek she’riyatidagi ilk na- munalari Hofiz Xorazmiy va Gadoiy devonlarida uchraydi. Navoiy davrida uning tazmin namunalari yaratilgan. M. navislik, ayniqsa 17-a.dan boshlab tez rivojlangan. Mashrab, Vafoiy, Uvay- siy, Nodira, Mahzuna, Munis, Furqat, Xiromiy, Muqimiy va b. shoirlar mum- toz M.lar yaratganlar. M. 20-a. she’riyati- da ham an’ana sifatida davom etdi. Mas, Sobir Abdulla, Char-xiy kabi shoirlar boshka shoirlarning g’azallariga M.lar bog’laganlar.<\/p>\n","protected":false},"excerpt":{"rendered":"
Muxammas (Arab. \u2014 beshlik) \u2014 Sharq she’riyatidagi she’riy shak- llardan, qofiyalanish tartibiga ko’ra tuzilgan she’r. M.ning har bir bandi 5 misradan iborat bo’lib, a\u2014a\u2014a\u2014a\u2014a, b\u2014b\u2014b\u2014b\u2014a, v\u2014v\u2014v\u2014v\u2014a, ba’zan esa a\u2014a\u2014a\u2014a\u2014a, b\u2014b\u2014b\u2014a\u2014a … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[217],"tags":[],"class_list":["post-117138","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-m-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/117138","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=117138"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/117138\/revisions"}],"predecessor-version":[{"id":117163,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/117138\/revisions\/117163"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=117138"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=117138"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=117138"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}