{"id":119029,"date":"2024-05-09T14:22:07","date_gmt":"2024-05-09T11:22:07","guid":{"rendered":"https:\/\/milliycha.uz\/?p=119029"},"modified":"2024-05-09T14:22:30","modified_gmt":"2024-05-09T11:22:30","slug":"pliseskaya-mayya-mixaylovna","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/pliseskaya-mayya-mixaylovna\/","title":{"rendered":"Pliseskaya Mayya Mixaylovna"},"content":{"rendered":"\n<p>Pliseskaya Mayya Mixaylovna (1925.20.11, Moskva) \u2014 balerina, balet- Meyster. Xalq artisti (1959). 1943\u2014 88 y.lar katta teatrda, 1988-90 y.lar &#171;tea- tro liriko Nasional&#187; (Madrid) truppa- sining badiiy rahbari bo&#8217;lib ishlagan. Odetta-Odilliya (&#171;Oqqush ko&#8217;li&#187;), Kitri (&#171;Don Kixot&#187;), Karmen (&#171;Karmen-Syui- ta&#187;), Avrora (&#171;Uyqudagi go&#8217;zal&#187;), Anna Karenina (&#171;Anna Karenina&#187;), Raymonda (&#171;Raymonda&#187;), M. Ravelning musiqasi asosida qo&#8217;yilgan &#171;Bolero&#187;dagi bosh partiya kabi rollari b-n mashhur bo&#8217;ddi. Uning raqslari harakatlarning o&#8217;zaro mosligi, ta&#8217;sirchanligi, jo&#8217;shqinligi b-n, rus xoreografiya MAK-tabi an&#8217;ana- larining yangi zamonaviy balet san&#8217;- atidagi novatorlik intilishlar b-n uyg&#8217;unlashib ketishi b-n ajralib tu- radi. &#171;Anna Karenina&#187; (jumladan, O&#8217;zbekistonda ham qo&#8217;ygan), &#171;Chayka&#187; ba- letlarini sahnalashtirgan. &#171;Urush va tinchlik&#187; filmi va &#171;fantaziya&#187; televi- Zion filmida Su-ratga tushgan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pliseskaya Mayya Mixaylovna (1925.20.11, Moskva) \u2014 balerina, balet- Meyster. Xalq artisti (1959). 1943\u2014 88 y.lar katta teatrda, 1988-90 y.lar &#171;tea- tro liriko Nasional&#187; (Madrid) truppa- sining badiiy rahbari bo&#8217;lib ishlagan. &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/pliseskaya-mayya-mixaylovna\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[226],"tags":[],"class_list":["post-119029","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-p-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/119029","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=119029"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/119029\/revisions"}],"predecessor-version":[{"id":119050,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/119029\/revisions\/119050"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=119029"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=119029"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=119029"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}