{"id":119524,"date":"2024-05-09T16:28:28","date_gmt":"2024-05-09T13:28:28","guid":{"rendered":"https:\/\/milliycha.uz\/?p=119524"},"modified":"2024-05-09T16:28:32","modified_gmt":"2024-05-09T13:28:32","slug":"pas-paz-oktavio","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/pas-paz-oktavio\/","title":{"rendered":"Pas (Paz) Oktavio"},"content":{"rendered":"\n<p>Pas (Paz) Oktavio (1914.31.9 &#8212; Me- xiko \u2014 1998) \u2014 meksikalik shoir. Bi-rinchi she&#8217;riy tuplami &#171;No pasa- ran&#187; 1936-39 y.larda Ispaniyada bul- gan fuqarolar urushiga bag&#8217;ishlangan. &#171;Inson ildizi&#187; (1937), &#171;sening rav- Shan soyang ostida&#187; (1937), &#171;dunyo chek- kasida&#187; (1942), &#171;Madhiya mag&#8217;zi&#187; (1954), &#171;Quyoshning toshi&#187; (1957), &#171;yaxlit sha- mol&#187; (1966) va b. tuplamlarida P. mil- liy lirikani badiiy kashfiyotlari b-n boyitgan, fiqolarni jamlashga mo-yil, metaforalarga boy, yuksak ruxiyatli in- tellektual shoir sifatida namoyon bula- Di. U qad. Meksika hamda Osiyo xalqlari madaniy merosiga tez-tez murojaat etadi. &#171;Yolg&#8217;izlikning chalkash yullari&#187; (1956) essekitobida Meksi-kaliklar ruhiyatini, Meksikaning tarixiy o&#8217;ziga xosliklarini tadqiq etadi. P.ning Fi- kricha, shoirning hoz. jamiyatdagi va- zifasi inson va tashki dunyo birligini tiklashdir. P. Meksikaning Hindistondagi elchi- si (1962-64), Garvard un-tining faxriy dri (1981). San&#8217;at va siyosat sohasidagi bir necha jur.larga, jumladan, &#171;PLURAL&#187; (&#171;Plural&#187;) jur.ga boshchilik kilgan. No- bel mukofoti laureata (1990).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pas (Paz) Oktavio (1914.31.9 &#8212; Me- xiko \u2014 1998) \u2014 meksikalik shoir. Bi-rinchi she&#8217;riy tuplami &#171;No pasa- ran&#187; 1936-39 y.larda Ispaniyada bul- gan fuqarolar urushiga bag&#8217;ishlangan. &#171;Inson ildizi&#187; (1937), &#171;sening &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/pas-paz-oktavio\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[226],"tags":[],"class_list":["post-119524","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-p-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/119524","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=119524"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/119524\/revisions"}],"predecessor-version":[{"id":119550,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/119524\/revisions\/119550"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=119524"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=119524"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=119524"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}