{"id":120166,"date":"2024-05-09T19:37:08","date_gmt":"2024-05-09T16:37:08","guid":{"rendered":"https:\/\/milliycha.uz\/?p=120166"},"modified":"2024-05-09T19:37:13","modified_gmt":"2024-05-09T16:37:13","slug":"mayakovskiy-vladimir-vladimirovich","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/mayakovskiy-vladimir-vladimirovich\/","title":{"rendered":"Mayakovskiy Vladimir Vladimirovich"},"content":{"rendered":"\n<p>Mayakovskiy Vladimir Vladimirovich [1893.7(19).7, Kutaisi sh. \u2014 1930.14.4, Moskva] \u2014 rus shoiri. 1906 y., otasi vafotidan so&#8217;ng, oilasi b-n Moskvaga ko&#8217;chib borib, klassik gim- naziyaga, 1911 y. esa tasviriy san&#8217;at, haykaltaroshlik va me&#8217;morchilik bilim yurtiga o&#8217;qishga kirgan. Shu yili rus futuristpar guruhi tashkilotchisi D. Burlyuk b-n tanishgan. 1912 y. &#171;Jamoat didiga tarsaki&#187; to&#8217;plamida dastlabki she&#8217;riy asari chop etilgan. Ijtimoiy silsilalar arafasida she&#8217;riyatga kirib kelgan M. simvolizm va akmeizm esteti- kasiga qarshi chikali, e&#8217;tirof etilgan ustoz shoirlar, jumladan, A. Blokning badiiy tajribalariga tanqidiy yonda- shadi. 1913 y. &#171;Vladimir Mayakovskiy&#187; t-ragediyasini yozadi, &#171;men!&#187;ilk she&#8217;riy kitobi nashr etiladi. M.ning dastlabki ijodida &#171;cholvorli bulutlar&#187; (1914\u2014 15) dostoni muhim o&#8217;rin egallaydi. Bu dostonda in-Tim syujet ijtimoiy va kosmik miqyosga, sevgi esa bayroq \u2014 qalb darajasiga ko&#8217;tarilgan. M.ning Osip va Lilya briklar oilasi, ayniqsa, Lilya Brik b-n tanishuvi uning taqdirida hal kiluvchi rol o&#8217;ynagan. Ijtimo- iy hayotda sodir bo&#8217;layotgan o&#8217;zgarishlar M.ni chetlab o&#8217;tmadi. M. 1917 y. Okt. dav- lat to&#8217;ntarishini xushnudlik b-n qarshi oldi. Undagi voqealarning shiddatli ruhini o&#8217;z she&#8217;riyatiga singdirdi (&#171;so&#8217;l marsh&#187;, 1918). Turli janr va sohalarda ham ijodiy kuchini sinab, bir necha fil &#8212; mlar (&#171;pul uchun tug&#8217;ilmagan&#187;, &#171;xonim va bezori&#187; va b.) stsenariylarini yozdi va bu filmlarda bosh rollarni ijro etdi. 1917 y. avg.da esa musiqali drama tea- trida davrning qaxramonona, epik va sa- tirik tasviri bo&#8217;lgan &#171;Misteriya-Buff&#187; pesasi namoyish etiladi. Shu davr- dan boshlab M. iste&#8217;dodi bolshevism g&#8217;oyalariga to&#8217;la-to&#8217;kis xizmat qiladi. M., insoniy sajiyasiga ko&#8217;ra, xudbin- lik, hasad, kalondimog&#8217;lik, mansabpa- rastlik, pora-xo&#8217;rlik singari illatlar b-n murosa qila olmovchi kishi edi. M. bolsheviklarni jami-yatni ana shunday qusurlardan xalos etuvchi, sovetlar mam- lakatini yuksak taraqqiyot manziliga el- tuvchi kishilar, deb bildi. Shuningdek, u &#171;yangi jamiyat&#187;ni barpo etayotgan kishi- lar orasida ham haftafahm, amalparast kishilar borligini o&#8217;z ko&#8217;zi b-n ko&#8217;rdi va ularni &#171;qandala&#187; (1928), &#171;hammom&#187; (1929) satirik pesalarida aks ettir- Di. Bu pesalar ko&#8217;p o&#8217;tmay taqikdanadi va Stalin vafotiga qadar (1953) hech erda qo&#8217;yilmadi. M. 1924-25 y.larda Frantsiya, Amerika singari qator xori- jiy mamlakatlarda bo&#8217;ldi. &#171;Amerikani kashf etishim&#187; asarida buyuk mamlakat- ning kuch-qudratidan hayratga tushdi, shu b-n birga bu mamlakatda dollarning axloq va vijdon mezoniga aylangani- dan o&#8217;pkalandi. M. ijodining so&#8217;nggi bosqichida ana shu nafrat va muhabbat tuyg&#8217;ulari shoir asarlari (&#171;hayqiriq&#187;, &#171;Juda soz!&#187;, &#171;Qandala&#187;, &#171;Hammom&#187; va b.)ning bosh leytmotivi darajasi- ga ko&#8217;tarildi. U o&#8217;z ijodi va jangovar so&#8217;zi b-n sosialistik qurilishga hissa qo&#8217;shishga urindi. Gorkiy b-n birga sho&#8217;ro adabiyotidagi sosialistik realism metodi asoschisi bo&#8217;ldi. Ammo u ishongan davlat tizimi o&#8217;sha yillardayoq byuro- kratik apparatga aylanib borayotgan, u ishongan davlat rahbarlari esa xalqdan va uning peshqadam siymolaridan yuz o&#8217;girayotgan edilar. M. bir tomondan, Raapchi safdoshlari (proletar yozuvchi- lari) tomonidan tark etilgan, ikkinchi tomondan, &#171;muhabbat kemasi&#187;, o&#8217;zi yozga- nidek, suv osti toshlariga urilib shi- kastlangan. M. 1930 y. 14 apr.da o&#8217;zini- o&#8217;zi otib o&#8217;ldiradi. M. isyonkor she&#8217;riyati b-n nafakat rus, balki L. Aragon, P. Neruda, V. Bro- Nevskiy, Nozim Hikmat, G&#8217;afur G&#8217;ulom, Hamid Olimjon singari turli millat- ga mansub shoirlar ijodiga katta ta&#8217;sir o&#8217;tkazdi. She&#8217;riyatning tarixiy-ijtimo- iy davr b-n hamqadam, jo&#8217;shqin va shid- datli hayotga hamnafas bo&#8217;lishida, yangi shakl va tasvir vositalarini axtarib topishda M. an&#8217;analari o&#8217;z rolini o&#8217;tadi. Ammo shu b-n birga she&#8217;riyatning siyosat- lashishi va mafkuraviy qurolga ayla- Nishida ham M.ning ta&#8217;siri kattadir. G&#8217;.G&#8217;ulom, Shayxzoda, A. Muxtor tomoni- dan &#171;hayqiriq&#187;, &#171;juda soz!&#187;va b. asar- lari o&#8217;zbek tiliga tarjima qilingan. As: Polnoe Sobranie sochineniy, 1 \u2014 13 t., M., 1955-61; tanlangan asarlar, T., 1966. Ad.: Rasuliy M., Mayakovskiy asar- lari o&#8217;zbek tilida, T., 1961; Rasuliy M., Mayakovskiy v Uzbekistane, T., 1965. Naim Karimov.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mayakovskiy Vladimir Vladimirovich [1893.7(19).7, Kutaisi sh. \u2014 1930.14.4, Moskva] \u2014 rus shoiri. 1906 y., otasi vafotidan so&#8217;ng, oilasi b-n Moskvaga ko&#8217;chib borib, klassik gim- naziyaga, 1911 y. esa tasviriy san&#8217;at, &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/mayakovskiy-vladimir-vladimirovich\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[217],"tags":[],"class_list":["post-120166","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-m-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/120166","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=120166"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/120166\/revisions"}],"predecessor-version":[{"id":120173,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/120166\/revisions\/120173"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=120166"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=120166"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=120166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}