Mantenya (Mantegna) Andrea (1431, Veneto \u2014 1506.13.9, Mantuya) \u2014 ital-Yan rassomi va o’ymakori, Uyg’onish davri namoyandasi, Paduya maktabi vaki- li. Qad. Rim haykaltaroshligi va me’- moriy bezaklarini o’rganishi, arxeo- logiya va epigrafika b-n shug’ullanishi M. san’atining shakllanishida muhim ahamiyatga ega bo’lgan. M. diniy kompo- zisiyalarga inson shaxsining qudrati va afzalligini ta’kidlovchi qahramonona dunyoni anglash hissini olib kirdi. M. asarlari (Veronadagi San-Dzeno Majo- re cherkovi triptixi, 1457-59 va b.)da uning ijodiga xos bo’lgan qimmatbaho emalga qiyoslanadigan bo’yoq qatlamining metall jilosi shakllandi; manzarali zamin va atrof muhitdan muhim omilni ajratib ko’rsata olgan. 1460 y.dan man- tuyada Lodoviko Gonzago saroyida yasha- gan. M. asarlarida me’morlik (Real va chizilgan) b-n rangtasvir uyg’unligiga erishdi (San-Jorjo qasridagi «Del Spoza xonasi», 1447 va b.). «Tsezar tan- tanasi» asarlar turkumi (1485-88) qad. Rimning jiddiy ruhi b-n sug’orilgan; ma’joziy mifologik kompozisiyalari, monoxrom kartinalar turkumi («par- nas», 1497; «Samson va Dalila», 1500-y.) so’nggi davr asarlariga mansub. M. gra- vyuralari («dengiz xudolarining Jan- gi», 7 ta mis gravyura va b.) obrazlari — ning mahobatliligi b-n uning rangtas- viridan qolishmaydi, ularda kandakori nafis shakllar nozik chiziq (shtrix)lar b-n uyg’unlashgan.<\/p>\n","protected":false},"excerpt":{"rendered":"
Mantenya (Mantegna) Andrea (1431, Veneto \u2014 1506.13.9, Mantuya) \u2014 ital-Yan rassomi va o’ymakori, Uyg’onish davri namoyandasi, Paduya maktabi vaki- li. Qad. Rim haykaltaroshligi va me’- moriy bezaklarini o’rganishi, arxeo- logiya … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[217],"tags":[],"class_list":["post-120593","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-m-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/120593","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=120593"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/120593\/revisions"}],"predecessor-version":[{"id":120616,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/120593\/revisions\/120616"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=120593"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=120593"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=120593"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}