{"id":12106,"date":"2021-12-10T12:55:42","date_gmt":"2021-12-10T09:55:42","guid":{"rendered":"https:\/\/milliycha.uz\/?p=12106"},"modified":"2025-10-13T16:09:07","modified_gmt":"2025-10-13T13:09:07","slug":"ahmedova-malika-muhamedovna-kim-bolgan","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/ahmedova-malika-muhamedovna-kim-bolgan\/","title":{"rendered":"AHMEDOVA MALIKA MUHAMEDOVNA kim bo&#8217;lgan?"},"content":{"rendered":"\n<p>AHMEDOVA MALIKA MUHAMEDOVNA (1950.3.4, Chimkent viloyati Sayram qishlog&#8217;i) \u2014 raqqosa. O&#8217;zbekiston xalq artisti (1984). Toshkent xoreografiya bilim yurtining mumtoz raqs bo&#8217;limini (1968), Toshkent davlat jahon tillari institutini (1972) tugatgan. Ijrosidagi raqslar milliy bo&#8217;yoqlarga boyligi, sho&#8217;xchanligi, serjilva va nazokatliligi bilan ajralib turadi. Eng yaxshi raqslari: &#171;Ko&#8217;zim Shaxloga tushdi&#187;, &#171;Tamanno&#187;, &#171;Ey dilbari jonon&#187;, &#171;Namangan tanavori&#187;, &#171;Maqom&#187;, &#171;Muhabbat&#187;, &#171;Zarafshon Malikasi&#187;, &#171;Nargiz&#187;, &#171;Xayolim senda&#187; va boshqalar. &#171;Maysaraning ishi&#187; (S. Yudakov), &#171;Zebuniso&#187; (S. Jalil) operalarida balet partiyalarini ijro etgan. Shuningdek, repertuaridan Arab, afg&#8217;on, ispan, turk, Eron, hind va boshqa xalqlar raqslari o&#8217;rin olgan. Ahmedovaga bag&#8217;ishlab &#171;Bu sehrli raqs dunyosi&#187; videofilmi suratga olingan. Keyingi yillarda baletmeysterlik qilmoqda. Angliya, Avstraliya, AQSh, Italiya, Yugoslaviya, Yaponiya kabi mamlakatlarda gastrolda bo&#8217;lgan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>AHMEDOVA MALIKA MUHAMEDOVNA (1950.3.4, Chimkent viloyati Sayram qishlog&#8217;i) \u2014 raqqosa. O&#8217;zbekiston xalq artisti (1984). Toshkent xoreografiya bilim yurtining mumtoz raqs bo&#8217;limini (1968), Toshkent davlat jahon tillari institutini (1972) tugatgan. Ijrosidagi &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/ahmedova-malika-muhamedovna-kim-bolgan\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":9243,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[107],"tags":[],"class_list":["post-12106","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/12106","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=12106"}],"version-history":[{"count":2,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/12106\/revisions"}],"predecessor-version":[{"id":156795,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/12106\/revisions\/156795"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/9243"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=12106"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=12106"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=12106"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}