{"id":121153,"date":"2024-05-12T07:40:55","date_gmt":"2024-05-12T04:40:55","guid":{"rendered":"https:\/\/milliycha.uz\/?p=121153"},"modified":"2024-05-12T07:41:01","modified_gmt":"2024-05-12T04:41:01","slug":"mahmudov-jora-2","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/mahmudov-jora-2\/","title":{"rendered":"Mahmudov Jo&#8217;ra"},"content":{"rendered":"\n<p>Mahmudov Jo&#8217;ra (1942.4.1, tosh- kent) \u2014 rej. O&#8217;zbekistonda xizmat ko&#8217;rsatgan san&#8217;at arbobi (1992). Tosh- kent teatr va rassomlik san&#8217;ati in-tini tugatgan (1971). 1971-75 y.lar O&#8217;sh, 1975-78 y.lar Samarqand, 1983-94 y.lar Sirdaryo teatrlarida bosh rej., 1978-83 y.lar televidenieda, 1997\u2014 2002 y.lar yosh tomoshabinlar teatrida rej., 1994-97 y.lar Madaniyat ishlari vazirligida etakchi mutaxassis bo&#8217;lib ishlagan. Sahnalashtirgan spektaklla- ri: &#171;ona&#187; (K. Chapek), &#171;Qiyomat qarz&#187; (O&#8217;. Umarbekov). &#171;Insonlikka nomzod&#187; (M. Karimov), &#171;Og&#8217;riqtishlar&#187; (A. Qahhor), &#171;Soxta oqsuyak&#187; (J. Moler), &#171;Qaerdasan, jon bolam&#187; (M. Bo-Boev), &#171;Qirol Lir&#187; (U. Shekspir) va b. M. har bir spektaklni badiiyg&#8217;oyaviy yuksakligi, ta&#8217;sir kuchini oshirishda tasviriy musiqiy, texnik vo- sitalardan unumli foydalangan. M.ning &#171;Adolat kuni&#187;, &#171;ovsinlar&#187;, &#171;sadoqat&#187; kabi sahna asarlari. &#171;Osmondan tanga yoqqan kun&#187;, &#171;tomchi&#187;, &#171;Alpomish&#187;, &#171;ik- kivoy va Beshvoy&#187; kabi kichik tomosha- binlarga bag&#8217;ishlangan ertak-pesalari ham bor.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mahmudov Jo&#8217;ra (1942.4.1, tosh- kent) \u2014 rej. O&#8217;zbekistonda xizmat ko&#8217;rsatgan san&#8217;at arbobi (1992). Tosh- kent teatr va rassomlik san&#8217;ati in-tini tugatgan (1971). 1971-75 y.lar O&#8217;sh, 1975-78 y.lar Samarqand, 1983-94 y.lar &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/mahmudov-jora-2\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[217],"tags":[],"class_list":["post-121153","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-m-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/121153","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=121153"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/121153\/revisions"}],"predecessor-version":[{"id":121165,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/121153\/revisions\/121165"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=121153"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=121153"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=121153"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}