Mirjalilov Tohirjon Jamolovich (1950.8.2 \u2014 Toshkent -2000.16.7) \u2014 rangtasvir ustasi, O’zbekiston ba akad. (1997), Uzbekiston xalq rassomi (2000). Respublika rassomlik bilim yurti (1971) va Toshkent teatr va rassom- lik san’ati in-ti (1977)ni tugatgan. Re- spublika rassomlik bilim yurtida ped. (1977-84), Uzbekiston rassomlar uyush- masi badiiy fondi raisi (1984-91), Uzbekiston rassomlar uyushmasi raisi (1994-97); 1997 y.dan Uzbekiston ba raisi o’rinbosari-ijrochi direktori. M. ijodida zamondoshlari qiyofalari, ona yurt manzaralari haqqoniy aks et- tirilgan, maishiy lavqalar, natyur- mortlar ham yaratgan. «Kinorejissyor Ravil Botirov» (1977), «tog’dagi tun» (1980), «Otam» (1982), «Forish manza- rasi» (1982), «uzum gullaganda» (1982), «Balkonda» (1983), «37-yil» (1985), «ga-Zeta va odam» uchligi (1990), «eski tosh- kent», «Beshyo-goch», «Surxondaryo» turkum asarlari rassomga Shuhrat keltirdi. Ayniqsa, «Siren» turkumidagi natyur- mortlari tomoshabinda katta taassurot qoldiradi. 1978 y.dan respublika va xorijiy mamlakatlardagi badiiy ko’rgazmalarda faol ishtirok etdi, jumladan, Maro- kashdagi shaxsiy ko’rgazmasi (1990), Parijdagi o’zbek zamonaviy san’ati ko’rgazmalari (1996) va b. Asarlari Ros- siya, Isroil, Turkiya, Angliya, Germaniya, Italiya, Yaponiya muzey, galereya va b. Xu- susiy to’plamlarda saqlanadi.<\/p>\n","protected":false},"excerpt":{"rendered":"
Mirjalilov Tohirjon Jamolovich (1950.8.2 \u2014 Toshkent -2000.16.7) \u2014 rangtasvir ustasi, O’zbekiston ba akad. (1997), Uzbekiston xalq rassomi (2000). Respublika rassomlik bilim yurti (1971) va Toshkent teatr va rassom- lik san’ati … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[217],"tags":[],"class_list":["post-121866","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-m-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/121866","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=121866"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/121866\/revisions"}],"predecessor-version":[{"id":121895,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/121866\/revisions\/121895"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=121866"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=121866"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=121866"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}