{"id":121965,"date":"2024-05-12T14:24:15","date_gmt":"2024-05-12T11:24:15","guid":{"rendered":"https:\/\/milliycha.uz\/?p=121965"},"modified":"2024-05-12T14:24:24","modified_gmt":"2024-05-12T11:24:24","slug":"milenin-semyon-mixaylovich","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/milenin-semyon-mixaylovich\/","title":{"rendered":"Milenin Semyon Mixaylovich"},"content":{"rendered":"\n<p>Milenin Semyon Mixaylovich (1903. 13.9, Lugansk sh., Ukraina \u2014 1966.8.7, Toshkent) \u2014 teatr rassomi. O&#8217;zbekistonda xizmat ko&#8217;rsatgan san&#8217;at arbobi (1944). 1936 y.dan Toshkentda. Hamza teatrida bosh rassom (1960 y.gacha). M. o&#8217;zbek teatri san&#8217;ati taraqqiyotiga katta hissa qo&#8217;shgan. Sahna bezakla- rining maishiy tafeilotga boyligi, me&#8217;moriy shakllardagi interer, eks- tererlar, yorug&#8217;lik effektlaridan sama- rali foydalanish M.ga spektakllardagi davr va uning o&#8217;ziga xos xususiyatlarini to&#8217;liq yoritish imkonini berdi: &#171;makr va muhabbat&#187; (1936, F. Shiller), &#171;Otello&#187; (1941, u. Shekspir), &#171;Momaqaldiroq&#187; (1938, 1955, A. Ostrovskiy), &#171;Alisher Navoiy&#187; (1945, uyg&#8217;un va I. Sulton), &#171;Hamlet&#187; (1949, U. Shekspir), &#171;Shohi so&#8217;zana&#187; (1952, A. Qahhor), &#171;yurak sirla- ri&#187; (1953, B. Rahmonov) va b.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Milenin Semyon Mixaylovich (1903. 13.9, Lugansk sh., Ukraina \u2014 1966.8.7, Toshkent) \u2014 teatr rassomi. O&#8217;zbekistonda xizmat ko&#8217;rsatgan san&#8217;at arbobi (1944). 1936 y.dan Toshkentda. Hamza teatrida bosh rassom (1960 y.gacha). M. &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/milenin-semyon-mixaylovich\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[217],"tags":[],"class_list":["post-121965","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-m-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/121965","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=121965"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/121965\/revisions"}],"predecessor-version":[{"id":121979,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/121965\/revisions\/121979"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=121965"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=121965"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=121965"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}