{"id":122215,"date":"2024-05-12T15:36:34","date_gmt":"2024-05-12T12:36:34","guid":{"rendered":"https:\/\/milliycha.uz\/?p=122215"},"modified":"2024-05-12T15:36:50","modified_gmt":"2024-05-12T12:36:50","slug":"masxara","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/masxara\/","title":{"rendered":"Masxara"},"content":{"rendered":"\n<p>Masxara (Arab. \u2014 hajv, mazax ki- lish) \u2014 o&#8217;rta asrlar va yaqin o&#8217;tmishdagi o&#8217;zbek an&#8217;anaviy teatrining turi. Ijro- chi ham M. deb atalgan. G&#8217;aznaviylar saro- yida (10-a. oxiri \u2014 11-a. boshi) buki M., Alisher Navoiy davrida G&#8217;iyos M. degan- lar utgan. 19-a.da Buxoro an&#8217;anaviy te- atrida Zarif, tula, Mizrob, Ergash ism- li M.lar Shuhrat qozongan. M.lar maxsus liboslar va buyumlardan foydalanib, yuzlarini bo&#8217;yab, ba&#8217;zan yuzlariga niqob tortib, boshlariga kulgili qalpoqlar, sallalar, popoxlar kiyib, ayvon, ko&#8217;shk yoki maydonlarda hayotdan olingan voqealarni sahnaviy ziddiyatlar va Tim- Sollar shaklida hajv va hazil vosita- lari b-n bo&#8217;rttirib aks ettirganlar va tomoshabinlarni kuldirganlar. 18-a.da M. iborasi b-n bir qatorda ijrochi ma&#8217;- nosida &#171;masxaraboz&#187;, teatr ma&#8217;nosida &#171;masxarabozlik&#187; istilohlari qo&#8217;llana boshlagan (yana q. Masxarabozlik).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Masxara (Arab. \u2014 hajv, mazax ki- lish) \u2014 o&#8217;rta asrlar va yaqin o&#8217;tmishdagi o&#8217;zbek an&#8217;anaviy teatrining turi. Ijro- chi ham M. deb atalgan. G&#8217;aznaviylar saro- yida (10-a. oxiri \u2014 11-a. &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/masxara\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[217],"tags":[],"class_list":["post-122215","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-m-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/122215","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=122215"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/122215\/revisions"}],"predecessor-version":[{"id":122235,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/122215\/revisions\/122235"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=122215"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=122215"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=122215"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}