{"id":122413,"date":"2024-05-12T16:06:16","date_gmt":"2024-05-12T13:06:16","guid":{"rendered":"https:\/\/milliycha.uz\/?p=122413"},"modified":"2024-05-12T16:06:20","modified_gmt":"2024-05-12T13:06:20","slug":"messian-olive-ejen-prosper-sharl","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/messian-olive-ejen-prosper-sharl\/","title":{"rendered":"Messian Olive Ejen Prosper Sharl"},"content":{"rendered":"\n<p>Messian Olive Ejen Prosper Sharl (1908.10.12, Avinon &#8212; 1998, Pa- Rij) \u2014 frantsuz kompozitori, organchi va pedagog, 20-a. klassik musiqasi na- moyandalaridan. Parij konservatoriya- sini tugatgan (1930). Ayni shu erda va b. o&#8217;quv yurtlarida dare bergan: shogird- lari orasida P. Bulez, K. Shtokxauzen, Ya. Ksenakis kabi 20-a. musiqasining yirik namoyandalari mavjud. 1936 y.da &#171;Yosh Frantsiya&#187; kom-pozitorlar guruhini tashkil etgan. M. butkul ijodiy yo&#8217;li jarayonida diniy qadriyatlar (forte- Piano uchun &#171;chakaloq Iso qiyofasiga 20 nigoq&#187;, 1944; xor va orkestr uchun &#171;Ki- chik liturgiyalar&#187;, 1944; messa, 1950 va b.), hind mumtoz (raga) musiqasi (&#171;Tu- rantalila&#187; simfoniyasi, 1948; fortepi- ano uchun &#171;4 ritmik etyud&#187;lari, 1950 va b.), dunyo qushlari ovozlarini (orkestr uchun &#171;qushlar uyg&#8217;onishi&#187;, 1953; for- tepiano uchun &#171;qushlar katalogi&#187;, 1959 va b.) o&#8217;ziga asos etib tanladi. Musika nazariyasiga doyr dareliklar, &#171;mening musiqiy tilim texnikasi&#187; kitobi mual- lifi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Messian Olive Ejen Prosper Sharl (1908.10.12, Avinon &#8212; 1998, Pa- Rij) \u2014 frantsuz kompozitori, organchi va pedagog, 20-a. klassik musiqasi na- moyandalaridan. Parij konservatoriya- sini tugatgan (1930). Ayni shu erda &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/messian-olive-ejen-prosper-sharl\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[217],"tags":[],"class_list":["post-122413","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-m-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/122413","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=122413"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/122413\/revisions"}],"predecessor-version":[{"id":122432,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/122413\/revisions\/122432"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=122413"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=122413"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=122413"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}