{"id":122529,"date":"2024-05-12T16:32:14","date_gmt":"2024-05-12T13:32:14","guid":{"rendered":"https:\/\/milliycha.uz\/?p=122529"},"modified":"2024-05-12T16:32:22","modified_gmt":"2024-05-12T13:32:22","slug":"metrika-3","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/metrika-3\/","title":{"rendered":"Metrika"},"content":{"rendered":"\n<p>Metrika (&#8230; metro) \u2014 o&#8217;lchov va vaznlar haqida ta&#8217;limot, yunon musiqa nazariyasining she&#8217;riy va musiqiy vaznlar, bo&#8217;g&#8217;in va cho&#8217;zimlar tizimini o&#8217;rganuvchi bo&#8217;limi. Ushbu ma&#8217;noda qad. va o&#8217;rta aerlarda M. musiqa nazariyasi- ga qaraganda grammatika faniga ko&#8217;proq taalluqli hisoblangan. M. maxsus musiqiy o&#8217;lchov (takt)ni belgilaydigan ritmik urg&#8217;ularning o&#8217;zaro munosabatla- ri haqidagi ta&#8217;limot sifatida nemis musiqashunosi M. Gauptman tomonidan ilk bor 1853 y.da Evropa musiqa naza- riyasiga tatbik, etilgan. M. ta&#8217;limoti, asosan, takt tushunchasiga asoslangan, ba&#8217;zi yirik musikashunoslar (X. Riman, K. Zaks va b.) unga ritmiksintaksis tu- zilmalarni (mas, davr, jumla. ohang, ibora va b.) ham kiritib, M.ga yanada kengroq, universal ma&#8217;no berganlar. O&#8217;rta va yaqin Sharq musiqashunosligida (Forobiy, Ibn Sino, Urmaviy, Jomiy, Navoiy, Darvishali Changiy va b.) M. \u2014 ilmi iyqoning tarkibiy qismi bo&#8217;lib, musiqiy she&#8217;riy tushuncha va atamalar (usul, iyqo, bahr, vazn va b.) vositasida keng sharhlangan (q. Iiqo). Abdumannop Nazarov.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Metrika (&#8230; metro) \u2014 o&#8217;lchov va vaznlar haqida ta&#8217;limot, yunon musiqa nazariyasining she&#8217;riy va musiqiy vaznlar, bo&#8217;g&#8217;in va cho&#8217;zimlar tizimini o&#8217;rganuvchi bo&#8217;limi. Ushbu ma&#8217;noda qad. va o&#8217;rta aerlarda M. musiqa &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/metrika-3\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[217],"tags":[],"class_list":["post-122529","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-m-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/122529","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=122529"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/122529\/revisions"}],"predecessor-version":[{"id":122546,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/122529\/revisions\/122546"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=122529"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=122529"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=122529"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}