{"id":122777,"date":"2024-05-12T17:52:02","date_gmt":"2024-05-12T14:52:02","guid":{"rendered":"https:\/\/milliycha.uz\/?p=122777"},"modified":"2024-05-12T17:52:09","modified_gmt":"2024-05-12T14:52:09","slug":"katta-ashula","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/katta-ashula\/","title":{"rendered":"Katta ashula"},"content":{"rendered":"\n<p>Katta ashula, patnusaki (patnis) ashula \u2014 Fargona vodiysiga xos bo&#8217;lgan o&#8217;zbek an&#8217;anaviy ashula yo&#8217;li. Odatda, 2-5 hamnafas ashulachi (Hofiz) tomoni- dan cholg&#8217;u jo&#8217;rligisiz (qo&#8217;llariga patnis yoki likobcha ushlagan holda) aytiladi. Ko&#8217;pincha yuqori pardalarda va keng na- Fasda ijro etilib, o&#8217;ziga xos murakkab ijro uslubi b-n ajralib turadi. K.a. qadimiy marosim va mehnat qushiqlari, marsiya, navha, Ayolg&#8217;u qo&#8217;shiqlari hamda aruz vaznidagi g&#8217;azallarning qad. o&#8217;qilish uslublari zaminida vujudga kelgan. K.a., odatda, katta yig&#8217;in, sayil va to&#8217;y-tomoshalarda aytilgan. Uning o&#8217;tmishdagi namunalarida lirik va nasihatomuz g&#8217;azallar b-n bir qatorda diniy, tasavvuf yo&#8217;nalishidagi she&#8217;- rlar ham kuylangan. Navoiy, Lutfiy, Mashrab, Xaziniy, Muqimiy, Furqat, Zavqiy, Miskin va b.ning g&#8217;azallari K.a. janridan alohida o&#8217;rin olgan. Xalq ora &#8212; sida &#171;do&#8217;stlar&#187; (Navoiy), &#171;ko&#8217;p erdi&#187;, &#171;Yolg&#8217;iz&#187;, &#171;Adashganman&#187; (Muqimiy), &#171;Oh kim, rahm aylamas&#187; (Furqat), &#171;bir kel- Sun&#187;, &#171;Ey, dilbari jononim&#187; (Miskin) kabi K.a.lar keng tarqalgan. Habibiy, Chustiy, Kamtar, Charxiy, Sobir Abdulla, Akmal Po&#8217;lat, Vosit Sa&#8217;dulla, Nasimiy, Erkin Vohidov, o&#8217;tkir Rashid va b.ning she&#8217;rlari ham K.a.da sevib ijro etila- Di. K.a. ijrochiligida badiha uslubi- dan keng foydalaniladi. Bu esa undagi nutqdosh va ohangdor tuzilmalar bir- biriga mukammal va uzviy bog&#8217;lanishini ta&#8217;minlaydi, ashulani rang-barang musiqa bezaklari b-n boyitadi, turli avjlar qo&#8217;llanishiga olib keladi. K.a. ijrochisi an&#8217;anaviy &#171;ustoz-shogird&#187; maktabini o&#8217;tgan, she&#8217;riyat qonunlari va ijrochilik an&#8217;analariga tayangan, keng diapazonli, baland ovozga va mahoratga ega bo&#8217;lishi lozim. Hofizlar, odatda, she&#8217;r bandidagi boshlang&#8217;ich misralar- ning har birini galma-gal, so&#8217;nggi mis- ralarni jo&#8217;r bo&#8217;lib ijro etadilar. 20-a. ning 2-yarmida K.a.ning yangi ashula-cholg&#8217;u yo&#8217;llari, yakkaxon hofizga mo&#8217;ljallangan turlari yuzaga keldi. Mazkur namuna- larda cholg&#8217;u ansambli hamnafas Hofiz vazifasini bajargan, ijroda erkin US- lub saqlanib qolgan. K.a.ning bu uslubi Jo&#8217;raxon Sultonov tomonidan yaratilgan (&#171;Ey dilbari jononim&#187;, &#171;Ohkim&#187;, &#171;Top- madim&#187;, &#171;Guluzorim qani&#187;, &#171;mehnat axli&#187;, &#171;O&#8217;zbekiston&#187; va b.). Ayrim maqom sho&#187;balari (&#171;Bayot&#187;, &#171;Chorgoh&#187;, &#171;Ushshoq&#187;) ham K.a. (&#171;yovvoyi maqom&#187;) uslubida ay- tilgan (mas, &#171;yovvoyi Ushshoq&#187;, &#171;Pat- nusaki Chorgoh&#187;, &#171;likobi Bayot&#187; va b.). Mohir sozandalar K.a.ning cholg&#8217;u (nay, surnay, g&#8217;ijjak) yo&#8217;llarini yaratdilar. Rivojlanish mobaynida K.a. ijrochilik (Qo&#8217;qon, Marg&#8217;ilon, Toshkent, Namangan \u2014 Andijon) maktablari shakllangan. Erkaqori Karimov, Sherqo&#8217;zi Boyqo&#8217;ziev, Haydarali Hikmatov, Meliqo&#8217;zi Yusu- pov, O&#8217;timboy Sarimsoqov, Turdiali er- Gashev, Otamirza Abdurahmonov (Qo&#8217;qon), Mamatbuva Sattorov, Jo&#8217;raxon Sultonov, Ma&#8217;murjon Uzoqov, Boltaboy Rajabov, Ibrohim Ishokov, Musajon Orifjo- Nov (Marg&#8217;ilon), Orif Alimahsumov, Ortiqxo&#8217;ja Imomxo&#8217;jaev, Akbar Haydarov, Eshmat Haydarov, Ochilxon Ot- axonov (Toshkent), Fattohxon Mamadali- eV, Odiljon Yusupov, Jo&#8217;raxon Yusupov (Andijon), Hamroqulqori To&#8217;raqulov (Beshariq), Rasulqori Mamadaliev (Bu- vayda), Solijon Hoshimov (Quvasoy) va b. K.a. ijrochiligida Shuhrat qozongan. Halima Nosirova, Munojot Yo&#8217;lchieva, Ismoil va Isroil Vahobovlar, Mahmud Tojiboev, Mahmud Yo&#8217;ldoshevlar ham K.a.ni mahorat b-n ijro etmoqdalar. 1984 y.dan O&#8217;zRda K.a.chilarning ko&#8217;rik- tanlovlari (Marg&#8217;ilon, 1984; tosh- kent, 1987; Ko&#8217;qon, 1991; Shahrisabz, 1994) o&#8217;tkazilmokda. K.a. ijrochilik yo&#8217;llari an&#8217;anaviy mahorat maktabla- ri (Baliqchi, Buvayda) va musiqa o&#8217;quv yurtlari (Farg&#8217;ona san&#8217;at bilim yurti, O&#8217;zbekiston davlat konservatoriyasi) da o&#8217;zlashtirib kelingan. 2001 y. Andi- jonda 1 &#8212; Respublika professional K.a. ijrochilari tanlovi va ilmiy-amaliy (Toshkent, Andijon) konferentsiyalari o&#8217;tkazildi. K.a. bastakor (F. Sodiqov, &#171;O&#8217;zbekiston&#187;, &#171;to&#8217;y muborak&#187;; M. Mur- tozoev, &#171;Sog&#8217;inish&#187; va b.) va kompozitor- lar (V. Uspenskiy, &#171;lirik poema&#187;; M. Tojiev, 3-simfoniya; M. Bafoev, Xalq cholg&#8217;ulari orkestri uchun kontsert; B. Umidjonov, a kapella uchun &#171;Chorgoh&#187;) ning ijodlariga ozuqa bo&#8217;lmoqda. Rustam Abdullaev.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Katta ashula, patnusaki (patnis) ashula \u2014 Fargona vodiysiga xos bo&#8217;lgan o&#8217;zbek an&#8217;anaviy ashula yo&#8217;li. Odatda, 2-5 hamnafas ashulachi (Hofiz) tomoni- dan cholg&#8217;u jo&#8217;rligisiz (qo&#8217;llariga patnis yoki likobcha ushlagan holda) aytiladi. &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/katta-ashula\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[201],"tags":[],"class_list":["post-122777","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-k-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/122777","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=122777"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/122777\/revisions"}],"predecessor-version":[{"id":122785,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/122777\/revisions\/122785"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=122777"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=122777"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=122777"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}