{"id":124093,"date":"2024-05-15T19:40:37","date_gmt":"2024-05-15T16:40:37","guid":{"rendered":"https:\/\/milliycha.uz\/?p=124093"},"modified":"2024-05-15T19:40:48","modified_gmt":"2024-05-15T16:40:48","slug":"kontsepsiya","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/kontsepsiya\/","title":{"rendered":"Kontsepsiya"},"content":{"rendered":"\n<p>Kontsepsiya (lot. conceptio \u2014 majmua, tizim) \u2014 1) biror sohaga oid qarashlar, tamoyillar tizimi, fakt va hodisalarni tushunish, anglash va izohlashning muayyan usuli, asosiy nuqtai nazar; 2)adabiyotda \u2014 biror asarning asosiy g&#8217;oyasi. K. badiiy asar mohiyatini, ijodkorning &#171;meni&#187;ni ifoda etadi. Biroq badiiy asar K.si ayrim holatlarda muallifning sub&#8217;ek- TIV qarashlaridan keng qamrovli buli- shi mumkin. Ba&#8217;zan muallif mo&#8217;ljaliga zid holat yuz bersa ham, mohiyat e&#8217;ti- bori b-n asar o&#8217;z K.siga ko&#8217;ra muallif- ning badiiy-estetik olamiga tegishli bo&#8217;ladi. O&#8217;quvchining ma&#8217;naviy-ruhiy saviyasi, tarixiy shart-sharoitdan kelib chiqqan holda badiiy asar K.si alohida ta&#8217;kidlanib, ochiq-oydin ifoda etila- Di. Inson va borliq mohiyatiga ko&#8217;ra, K. bir butunlikni tashqil etadi. Masa- lani muayyan ijodkorning o&#8217;z K.si yoki alohida olingan qaqiqiy san&#8217;at asari- ning K.si tarzida qo&#8217;yish ham mumkin. Boshqa jihatdan, badiiy asar K.si unda tasvirlangan badiiy-estetik, obrazli dunyo orqali hayotni anglash mexanizmi \u2014 usuli bo&#8217;lib ham maydonga chiqadi. Umu- man, K. badiiy asarning san&#8217;at, adabiyot va madaniyat tarixidagi o&#8217;rnini hamda o&#8217;quvchilar ommasiga ta&#8217;sir etish dara- jasini belgilaydi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kontsepsiya (lot. conceptio \u2014 majmua, tizim) \u2014 1) biror sohaga oid qarashlar, tamoyillar tizimi, fakt va hodisalarni tushunish, anglash va izohlashning muayyan usuli, asosiy nuqtai nazar; 2)adabiyotda \u2014 biror asarning &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/kontsepsiya\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[201],"tags":[],"class_list":["post-124093","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-k-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/124093","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=124093"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/124093\/revisions"}],"predecessor-version":[{"id":124109,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/124093\/revisions\/124109"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=124093"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=124093"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=124093"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}