KINO DEKORASIYASI SAN’ATI\u2014 film voqealarini suratga olish uchun stsenariy asosida pavilon yoki ta- biiy sharoitda yaratilgan moddiy muhit (joy, jihozlar). Filmning turli epi- zodlarida deqorasiya turlicha ahamiyatga ega: ayrim hollarda tomoshabinga se- zilmaydigan zamin (fon) bo’lsa, ba’zan voqealarni yuzaga keltirib chiqaruvchi obrazli muhit vazifasini o’taydi. K.D.s. film rassomining film operatori va rej. b-n maslahatlashib yaratgan eskiz- lari asosida tayyorlanadi. Deqorasiya film orqali hikoya qilinayotgan tari- xiy voqealar, o’sha joydagi muhit va sha- roitni tomoshabin ko’z o’ngida gavdalan- tirishga, rej. va kinodramaturg ilgari surgan g’oyani tomoshabinga etkazishga xizmat qiladi. Dastlabki K.D.s. matog’a chizilgan. 20-a.ning 10-y.laridan hajmli qilib ishlana boshlagan, aktyor o’ynaydigan joy (old qismi) tabiiy hajmda ishlanib, yig’ma (muvaqqat) va doimiy foydala- niladigan pavilonlar qurilib, film o’zgarmas bir nuqtadan tasvirga olingan, deqorasiyaning old qismi b-n olis man- Zara (perspektiva)si uygunlashtirilgan. Texnikaning takomillashuvi, oddiy va ko’p kamerali tasvirga olish kompleks deqorasiya yaratishni yuzaga keltirdi: bunda dekorasiyani rejalash muhim ahamiyatga ega, chunki bir vaqtning o’zida bir necha ob’ektlarni tasvirga olishga to’g’ri keladi. Bu esa rassomdan o’ta katta topqirlikni talab qiladi. O’zbek K.D.s.ning rivojida B. Chel-li, V. Eremyan, V. Sinichenko, E. Kalontarov, S. Ziyomuhamedov, N. Rahimboev, B. Na- zarov, S. Alibekov va b. rassomlarning xizmati katta.<\/p>\n","protected":false},"excerpt":{"rendered":"
KINO DEKORASIYASI SAN’ATI\u2014 film voqealarini suratga olish uchun stsenariy asosida pavilon yoki ta- biiy sharoitda yaratilgan moddiy muhit (joy, jihozlar). Filmning turli epi- zodlarida deqorasiya turlicha ahamiyatga ega: ayrim hollarda … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[201],"tags":[],"class_list":["post-124338","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-k-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/124338","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=124338"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/124338\/revisions"}],"predecessor-version":[{"id":124343,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/124338\/revisions\/124343"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=124338"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=124338"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=124338"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}