{"id":124726,"date":"2024-05-18T19:42:49","date_gmt":"2024-05-18T16:42:49","guid":{"rendered":"https:\/\/milliycha.uz\/?p=124726"},"modified":"2024-05-18T19:42:53","modified_gmt":"2024-05-18T16:42:53","slug":"saddi-iskandariy","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/saddi-iskandariy\/","title":{"rendered":"&#171;Saddi Iskandariy&#187;"},"content":{"rendered":"\n<p>&#171;Saddi Iskandariy&#187; (&#171;is- Kandar devori&#187;) \u2014 &#171;Xamsa&#187; (Navoiy) ning yakunlovchi dostoni (1485). Asar 89 bob, 7215 baytdan iborat bo&#8217;lib, Navoiy ijodidagi hajman eng yirik epik asar- dir. Doston aruzning mutaqorib bahrida turkiyda yozilgan. Xamsanavislikning buyuk namoyandalari: Nizomiy Ganjaviy, Xisrav Dehlaviy, Abdurahmon Jomiy va Alisher Navoiylar Iskandar to&#8217;g&#8217;risida Doston yozib, o&#8217;z &#171;Xamsa&#187;lariga kirit- ganlar. Dastlab musulmon dunyosida Qur&#8217;oni Karimning Kahf surasida nomi zikr etilgan hukmdor Zulqarnayn (Ikki shoxli, 18sura, 83 \u201498oyatlar) hamda yunon sarkardasi va davlat arbobi Aleksandrii bitta shaxs deb bilishgan va u sharkda Iskandar Zulqarnayn nomi b-n mashhur bo&#8217;lgan. Mazkur Iskandar- nomalarga Iskandar timsolidagi Alek- sandr faoliyati mavzu qilib olingan. Ammo asarlarda Iskandar timsoli ta- rixiylikdan tobora uzoqlashib, badiiy to&#8217;qima obrazga aylana borgan. Har bir xamsanavis Iskandar timsolida o&#8217;z IDE- allarini talqin etishga harakat qilgan. Navoiy o&#8217;z asari avvalida, salaf- laridan farqli o&#8217;laroq, tarixiylikka, ko&#8217;proq tarix kitoblariga tayanib ish ko&#8217;rganini yozadi. Navoiy bu o&#8217;rinda o&#8217;z asarida Iskandar haqidagi boblar iz- chilligining Qur&#8217;ondagi Zulqarnayn haqidagi oyatlarga hamda tarixiy shaxs Aleksandr faoliyatiga muvofiq keli- shini nazarda tutgan. Dostonning &#171;S. I.&#187;deb nomlanishida ham Qur&#8217;oni ka- Rimning Navoiy uchun birlamchi manba bo&#8217;lganligi seziladi. Navoiy talkinida Iskandar Odil shoh, u dunyoni kufrdan, jaholatdan to- zalab, butun dunyoda adolatni joriy etish, bashariy tartibqoidalarni katta olamdagi tartibqoidalarga muvofi- klashtirish maqsadida xalqlar ustiga yurishlar qilgan. Bu esa sufiyona talqin bo&#8217;lib, dostondagi muqaddima boblar, Iskandar voqealari hikoya qilingan boblar hamda unga ilova boblarda ham shoirning tasavvufiy qarashlari ustu- vorligini ko&#8217;rish mumkin. Mas, Iskan- dar shisha sandiq yasab, dengiz tubiga tushadi, turfa ajoyibotlarni ko&#8217;rib, vataniga qaytadi. U vafot etar ekan, bir qo&#8217;lini tobutdan chiqarib qo&#8217;yishlarini so&#8217;raydi. Asarda Navoiy insonni bu fo- niy dunyo hoyu havaslariga ortiqcha ruju qo&#8217;ymaslikka chaqirib, garchi Iskandar jahonni egallagan Jahongir bo&#8217;lsada, u narigi dunyoga hech narsasiz ketayotganli- giga ishora qiladi. Doston turkiy adabiyotda ko&#8217;plab na- ziralar yozilishiga turtki bo&#8217;lgan (Abay, &#171;Iskandar&#187;, 19-a.; Shayxzoda, Iskandar Zulqarnayn&#187;, 20-a. va b.). Iskandar obra- zi she&#8217;riyatda an&#8217;anaviy obrazga aylan- gan. Abduvohid Hayitov.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#171;Saddi Iskandariy&#187; (&#171;is- Kandar devori&#187;) \u2014 &#171;Xamsa&#187; (Navoiy) ning yakunlovchi dostoni (1485). Asar 89 bob, 7215 baytdan iborat bo&#8217;lib, Navoiy ijodidagi hajman eng yirik epik asar- dir. Doston aruzning mutaqorib &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/saddi-iskandariy\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[206],"tags":[],"class_list":["post-124726","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-s-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/124726","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=124726"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/124726\/revisions"}],"predecessor-version":[{"id":124727,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/124726\/revisions\/124727"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=124726"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=124726"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=124726"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}