Saidqosimov Po’lat (1931.8.10, Toshkent) \u2014 O’zbekiston xalq arti- sti (1979). Toshkent teatr va rassom- lik san’ati in-tini tugatgan (1954). 1954\u2014 57 y.lar H.Olimjon nomidagi Samarqand teatrida, 1957 y.dan Hamza (hoz. O’zbek milliy akademik drama) teatrida aktyor. Keng ko’lamli, turli echimdagi, psixologik murakkab rollar- ga moyillik, inson ma’naviy dunyosini chuqur taxlil qilish S. iste’dodiga xos bo’lib, obrazlari sodda va tabiiyligi, mukammal sahna nutqi, aktyorlik ifo- da vositalarining lo’ndaligi b-n AJ- ralib turadi. «Xolisxon»dagi Rustam S.ning sahnada yaratgan ilk obrazidir. Po’lat (O. Yoqubov, «yurak yonmog’i ke- rak»), Abdullatif («Mirzo Ulug’bek»), Ilyos (Ch. Aytmatov, «sarvqomat dilba- Rim»), Edgar (u. Shekspir «Qirol Lir»), Karimjon (A.Qahhor, «Ayajonlarim»), Salimboyvachcha (Oybek, «qutlug’qon»), Avrangzeb (Uyg’un, «Zebunniso»), So- birov (I. Sulton, «Imon»), Sag’diev (O. Abdullin, «un uchinchi rais»), zarga- rov (A. Muxtor, «Saxro tor»), bobo (u. Azim, «bir kadam yo’l») kabilar teatrda yaratgan eng yaxshi rollaridir. Kinoda Mahkam («muhabbat mojarosi»), be- runiy («Abu Rayhon Beruniy»), Zavqiy («Olovli yo’llar»), G’afurov («ilondan saqlan»), Ilyos ota («tong otguncha») va b.; telefilmda Otaqo’zi («diyonat»), Mir- zakarimboy («qutlug’qon»), Muhammad chatoq («girdob»), Cherkashin («Ichkuyov»), To’g’onbek («Alisher Navoiy»), Abdulla- TIF («Ulug’bek xazinasi») kabi bir qancha rollarni ijro etgan. «El-yurt hurmati» ordeni b-n mukofotlangan (2001).<\/p>\n","protected":false},"excerpt":{"rendered":"
Saidqosimov Po’lat (1931.8.10, Toshkent) \u2014 O’zbekiston xalq arti- sti (1979). Toshkent teatr va rassom- lik san’ati in-tini tugatgan (1954). 1954\u2014 57 y.lar H.Olimjon nomidagi Samarqand teatrida, 1957 y.dan Hamza (hoz. … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[206],"tags":[],"class_list":["post-125103","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-s-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/125103","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=125103"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/125103\/revisions"}],"predecessor-version":[{"id":125133,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/125103\/revisions\/125133"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=125103"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=125103"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=125103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}