Said Ahmad, Saidiy (14-a.ning oxiri \u2014 Hirot \u2014 15-a.ning 1-yarmi) \u2014 shoir. Temuriy shahzodalardan Mironshohning o’g’li, davlat idora ish- larida qatnashmagan. Turkiy va forsiy- da she’rlar yozib, devon tartib bergan hamda noma janrida «Taashshuqnoma» («Oshiklar maktublari», Navoiy ta’- biricha, «Latofatnoma») dostonini yaratgan (1435-36). Dostonni amakisi Shohrux Mirzoga bag’ishlagan. Asar Xo- razmiy «Muhabbatnoma»si va Xo’jandiy «Latofatnoma»siga tatabbu qilingan. Nazira qonuniyatlariga ko’ra, asar tuzi- lishi, maktublar soni (10 ta) jihatidan ham yuqoridagi asarlarga o’xshash; mas- naviy maktublar g’azal va b. lirik janr- lar b-n qorishiq. S. A. dostonida har bir g’azalning ma’lum bir maqom b-n bog’langanligi va ikkinchi nomaning bar- cha misralarida tajnisli qofiya ishla-tilganligi b-n Xorazmiy va Xo’jandiy asarlaridan ajralib turadi. Maktublar turkiy tilda. Asar rangbarang poetic shakllarga boy. Doston o’zbek adabiyoti tarixida noma janrining rivojlanish yo’llarini, 15-a. o’zbek adabiy tilini o’rganishda muhim ahamiyatga ega. Asar- ning yagona qo’lyozma nusxasi London- dagi Britaniya muzeyida, fotonusxasi O’zbekiston FA Sharqshunoslik in-tida saqlanadi. Ad.: Rustamov E., Uzbekskaya poeziya v pervoy polovine XI veka, M., 1973; Mal- laev N., O’zbek adabiyoti tarixi. T., 1976; Navoiyning nigohi tushgan…, T., 1986.<\/p>\n","protected":false},"excerpt":{"rendered":"
Said Ahmad, Saidiy (14-a.ning oxiri \u2014 Hirot \u2014 15-a.ning 1-yarmi) \u2014 shoir. Temuriy shahzodalardan Mironshohning o’g’li, davlat idora ish- larida qatnashmagan. Turkiy va forsiy- da she’rlar yozib, devon tartib bergan … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[206],"tags":[],"class_list":["post-125208","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-s-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/125208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=125208"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/125208\/revisions"}],"predecessor-version":[{"id":125229,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/125208\/revisions\/125229"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=125208"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=125208"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=125208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}