Sayfi Jalil (taxallusi; asl ismisharifi Jalilov Jalil) (1932.20.6, Samarqand 2003.11.2, Tosh- kent) \u2014 kompozitor, sozanda, dirijyor. O’zbekistonda xizmat ko’rsatgan san’at arbobi (1977). O’zbekiston xalq artisti (1988). Toshkent konservatoriyasini tu- gatgan (1967). O’zbekDavlat filarmoniya- si xalq cholg’u asboblari orkestri sozan- dasi va dirijyor (1950-66), «shodlik» ansambli badiiy rahbari (1970-71), konservatoriyada o’qituvchi (1967 y.dan), prof. (1990 y.dan), kafedra mudiri (1992\u2014 98). Ijodini lirik qushik\/tr («Kel, ertaroq», «ona yurtim» va b.), ro- manslar («ayt», «kechalar yulduz sanab» va b.), kamercholg’u va orkestr pesalar, syuita va kvartetlardan boshlagan. Key- inchalik, simfonik orkestr uchun yaratgan «Toshkent manzaralari» (1966), «Qalam qoshligim» (1967) musiqali komediyasi, «Navoiy Astrobodda» (1967, Yu. Raja- biy b-n) musiqali dramasi va, ayniqsa, tanbur va o’zbek cholg’u asboblari orke- stri uchun «Qalbimda» poemasida o’zbek an’anaviy bastakorlik uslubini evro- pacha kompozitorlik ijodiyoti tamoyil- lari b-n uzviy uyg’unlashtirishga erish- gan. Skripka va orkestr uchun 2 kontsert (1974, 1995), O’zbekistonda birinchi Vio- lonchel va orkestr uchun kontsert (1975), 2 ta simfoniya (1978, 1983), «Zebunniso» (1986) va «Malikai ayyor» (1987) opera- lari, «Sharq freskalari» (1988) baleti muallifi. «Laqma», «To’lanoy», «Yul- duzlar jamoli», «shayton muridlari», «Kampir ketarmish» kabi asarlari b-n o’zbek musiqali komediyasi va dramasi rivojiga katta hissa qo’shgan. Hamza no- midagi O’zbekiston davlat mukofoti Lau- reati (1979).<\/p>\n","protected":false},"excerpt":{"rendered":"
Sayfi Jalil (taxallusi; asl ismisharifi Jalilov Jalil) (1932.20.6, Samarqand 2003.11.2, Tosh- kent) \u2014 kompozitor, sozanda, dirijyor. O’zbekistonda xizmat ko’rsatgan san’at arbobi (1977). O’zbekiston xalq artisti (1988). Toshkent konservatoriyasini tu- gatgan … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[206],"tags":[],"class_list":["post-125273","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-s-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/125273","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=125273"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/125273\/revisions"}],"predecessor-version":[{"id":125297,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/125273\/revisions\/125297"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=125273"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=125273"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=125273"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}