{"id":12867,"date":"2021-12-17T15:51:30","date_gmt":"2021-12-17T12:51:30","guid":{"rendered":"https:\/\/milliycha.uz\/?p=12867"},"modified":"2021-12-17T15:51:31","modified_gmt":"2021-12-17T12:51:31","slug":"zmay","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/zmay\/","title":{"rendered":"ZMAY"},"content":{"rendered":"\n<p>ZMAY (Zmai; asl ism sharifi Yovanovich, Jobanobuch) Yovan (1833.24.11, Novisad, 1904.3.6, Kamenisa, Voevodina) \u2014 serb shoiri. Ijodida milliy vatanparvarlik mavzui asosiy o&#8217;rinni egallaydi (&#171;Vila&#187;, 1858; &#171;Uch Gayduk&#187;, 1866; &#171;Baxtsiz ona&#187;, 1871 va boshqalar). Zmay hajviy she&#8217;rlar ustasi (&#171;Yog&#8217;och qasidasi&#187;, 1878; &#171;Serbiyadagi yangi saylovlar&#187;, 1884 va boshqalar). Serb she&#8217;riyatida birinchilardan bo&#8217;lib serb dehqonlari va shahar qashshoqlarining nochor hayotini tasvirlagan (&#171;Uchinchi ulush&#187;, 1880; &#171;Sudxo&#8217;r&#187;, 1881 va boshqalar). Zmayning &#171;Atirgullar&#187; (1864), &#171;So&#8217;lg&#8217;in atirgullar&#187; (1882) to&#8217;plamlariga kirgan she&#8217;rlari serb romantik she&#8217;riyatining eng yaxshi namunalari sanaladi. Zmayning ayrim she&#8217;rlari Xurshid Davron tomonidan o&#8217;zbek tiliga tarjima qilingan (1989).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ZMAY (Zmai; asl ism sharifi Yovanovich, Jobanobuch) Yovan (1833.24.11, Novisad, 1904.3.6, Kamenisa, Voevodina) \u2014 serb shoiri. Ijodida milliy vatanparvarlik mavzui asosiy o&#8217;rinni egallaydi (&#171;Vila&#187;, 1858; &#171;Uch Gayduk&#187;, 1866; &#171;Baxtsiz ona&#187;, &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/zmay\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":9243,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[111],"tags":[],"class_list":["post-12867","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-z-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/12867","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=12867"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/12867\/revisions"}],"predecessor-version":[{"id":12878,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/12867\/revisions\/12878"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/9243"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=12867"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=12867"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=12867"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}