{"id":12887,"date":"2021-12-17T15:55:16","date_gmt":"2021-12-17T12:55:16","guid":{"rendered":"https:\/\/milliycha.uz\/?p=12887"},"modified":"2021-12-17T15:55:17","modified_gmt":"2021-12-17T12:55:17","slug":"zokir-eshon-todasi","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/zokir-eshon-todasi\/","title":{"rendered":"ZOKIR ESHON TO&#8217;DASI"},"content":{"rendered":"\n<p>ZOKIR ESHON TO&#8217;DASI &#8212; 19 asr 2 yarmida Qo&#8217;qonda ijod qilgan o&#8217;zbek professional aktyorlar to&#8217;dasi (&#171;Kasabai sozanda&#187;). Korfarmoni \u2014 Zokir eshon. Rizo qiyiq, Sa&#8217;di Maxsum, Normat qiziq, Boybuva qiziq, Mo&#8217;min qishloqi, Bahrom qiziq, Usmon qiziq, Ro&#8217;zi gov, Davlat qiziq, Kal sariq qiziq, Avliyoxon qiziq kabi 30 dan ortiq qiziqchi aktyor, Hofiz, sozanda va raqqoslardan iborat bo&#8217;lgan. Aktyorlik san&#8217;atidagi asosiy badiiy ifoda quroli improvizatsiya, ma&#8217;noli imo-ishora, harakat va o&#8217;tkir so&#8217;zlik hamda taqlidchilikka katta e&#8217;tibor berilgan. Qo&#8217;qon xonligining hamma shaharlarida tomoshalar ko&#8217;rsatgan. Repertuari &#171;Xon hajvi&#187;, &#171;Zarkokil&#187;, &#171;Sirkataroq azizlar&#187;, &#171;Farzand duosi&#187;, &#171;Kigiz o&#8217;g&#8217;risi&#187;, &#171;Attorlik&#187; kabi satirik sahnalar, hajviya, askiya, musiqa, ashula va raqslardan iborat bo&#8217;lgan. Ad.: Rahmonov M., O&#8217;zbek teatri tarixi, T., 1968. Mamajon Rahmonov.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ZOKIR ESHON TO&#8217;DASI &#8212; 19 asr 2 yarmida Qo&#8217;qonda ijod qilgan o&#8217;zbek professional aktyorlar to&#8217;dasi (&#171;Kasabai sozanda&#187;). Korfarmoni \u2014 Zokir eshon. Rizo qiyiq, Sa&#8217;di Maxsum, Normat qiziq, Boybuva qiziq, Mo&#8217;min &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/zokir-eshon-todasi\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":9243,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[111],"tags":[],"class_list":["post-12887","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-z-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/12887","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=12887"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/12887\/revisions"}],"predecessor-version":[{"id":12891,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/12887\/revisions\/12891"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/9243"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=12887"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=12887"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=12887"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}