Kashina Nadejda Vasilevna (1896.19.3, Perm — 1977.11.8, Toshkent) \u2014 O’zbekiston xalq rassomi (1964). Mo- skva Oliy badiiy texnika inti (VXU- Tein)ni tugatgan (1927). 1930 y.dan O’zbekistonda. K. asarlarida O’zbekiston manzaralarini, mehnatsevar o’zbek xalqining kundalik turmushini yorqin bo’yoqlarda mehr b-n tasvirlaydi. «Poy- ga» (1927), «yo’ng’ichqa ortilgan arava» (1929), «Sherdor yonida» (1928), «sir- daryodan o’tish» (1930), «doyra ushlagan qiz» (1945), «tushki dam olish» (1949), «Hosil» (1957), «insoniyat bahori» triptixi (1961), «sukunat» (1962), «Bog’ko’cha» (1965), «tinch payt» (1967), «Samarqand madonnasi» (1971), «mo- zor yonida» (1973) va b. mehnat ahli, o’zbek ayoli manzara fonida aks etti- rilgan kartinalari, natyurmortlari («Kungaboqar», 1939; «behi», 1956 va b.) yorqin bo’yog’i, muallifning o’ziga xos ifoda uslubi b-n diqqatni tortadi. PLA- katlar, etyudlari boy mazmuni, ifodali- ligi b-n muhim. Rassom Alisher Navo- iy ijodiga ko’p marta murojaat qilib, asar qahramonlarini jonli aks ettirdi («Bunyodkor Farhod», 1939; «Bahrom go’r zangori saroyda», 1941; «Layli va maj- nun», 1966; «Farhod va Shirin», 1968; «Farhod», 1970 va b.).<\/p>\n","protected":false},"excerpt":{"rendered":"
Kashina Nadejda Vasilevna (1896.19.3, Perm — 1977.11.8, Toshkent) \u2014 O’zbekiston xalq rassomi (1964). Mo- skva Oliy badiiy texnika inti (VXU- Tein)ni tugatgan (1927). 1930 y.dan O’zbekistonda. K. asarlarida O’zbekiston manzaralarini, … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[201],"tags":[],"class_list":["post-128991","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-k-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/128991","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=128991"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/128991\/revisions"}],"predecessor-version":[{"id":128992,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/128991\/revisions\/128992"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=128991"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=128991"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=128991"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}