Ikromjonov Akmaljon To’raevich (1952.20.4, Toshkent) \u2014 rang- tasvir ustasi, O’zbekiston ba akad. (1997), O’zbekiston xalq rassomi (1998). Respublika rassomlik bilim yurtini tu-gatgan (1971), I. Repin nomidagi ras- somlik, haykaltaroshlik va me’morlik intida ta’lim olgan (1971-77). M. Uyg’ur nomidagi san’at in-ti (hoz. Mil- liy rassomlik va dizayn in-ti) da peda- Gog (1977-82); 1990 y.dan prof. I.ning dastlabki asarlarida mahobatlilik, ulug’vorlik ko’zga tashlanadi; 80-y.lar- ning 2-yarmidan rassom vatandoshlari qiyofasi va ruhiy dunyosini, tabiat va uning sahovatini, tarixiy shaxslar, ij- timoiy mavzularni milliy yorqin, o’ziga xos tarzda uyg’un ranglarda, umumlash- ma, ramziy cheksiz makonda tasvirlaydi: «Rassom Bahodir Jalolov» (1976), «Chin- giz Ahmarov portreti» (1980), «Surxon- Daryo zamini» (1985), «Rahimbobo», «bo- domxon aya portreti» (1986), «Alisher Navoiy», «Kamoliddin Behzod» (1988), «Bobirga bagishlov» (1990), «Mirzo Ulug’bek portreti» (1994), «mevali na- tyurmort», «qumg’onli natyurmort» (1996) va b. «Moviy qo’shiq», «Bahor», «tog’dagi soy», «na’matak guli» (1998-2002) manzaralari Toshkentdagi Oqsaroyni bezab turibdi. «Zamin navolari» trip- tixi (1988), «chaqmoq» (1989), «Orol \u2014 mening dardim» (1989-90) asarlari uchun Hamza nomidagi O’zbekiston dav- lat mukofotiga sazovor bo’lgan (1990). I. haqida «Akmal» telefilmi yaratil- gan («O’zbektelefilm», 1999). I. asar- lari b-n respublika va chet mamlakatlar ko’rgazmalarida qatnashadi. Asarlari ay- Rim respublika va xorijiy muzeylarda, shaxsiy to’plamlarda saqlanadi.<\/p>\n","protected":false},"excerpt":{"rendered":"
Ikromjonov Akmaljon To’raevich (1952.20.4, Toshkent) \u2014 rang- tasvir ustasi, O’zbekiston ba akad. (1997), O’zbekiston xalq rassomi (1998). Respublika rassomlik bilim yurtini tu-gatgan (1971), I. Repin nomidagi ras- somlik, haykaltaroshlik va … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[199],"tags":[],"class_list":["post-129957","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-i-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/129957","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=129957"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/129957\/revisions"}],"predecessor-version":[{"id":129969,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/129957\/revisions\/129969"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=129957"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=129957"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=129957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}