Ikromov Iskandar (1904.15.4 -Toshkent \u2014 1972.6.11) \u2014 grafik ras- som, kitob grafikasi ustasi. O’zbekiston xalq rassomi (1944). Turkiston rassom- lik maktabida (1922-24), Leningrad Badiiy sanoat texnikumida (1925-29) ta’lim olgan. O’zbekiston davlat na- shriyotida bezak bo’limining mudiri (1929-59), O’zbekiston rassomlar uyush- masi boshqaruvi raisi (1959\u2014 65). 30-y. larda Samarkand ped. texni-kumi va b. bilim yurtlarida dars bergan. I. ijo- dida o’zbek xalq amaliy bezak san’ati (naqsh) an’-analarini rivojlantirib, kitob grafikasida mohirona qo’lladi: V. Uspenskiyning «Farhod va Shirin» musiqali dramasi partituralari (1937), Muqimiy «she’-rlar»i (1938), «O’zbek xalq qo’shiqlari» (1939) va b. Alisher Navoiyning 500 va 525 yilligi munosa- bati b-n sho-Irning «Xamsa», 4 jildli «Xazoyin ul-maoniy» devoni (1959\u2014 60), «Lirika» to’plami (1964), Ibn Sino, Beruniylarning o’zbek va rus tillarida nashr qilingan asarlari, kup jildli «O’zbek xalq musiqasi», Oybekning «na- voiy» romani va b. kitoblarga ish-lagan bezaklarida rassom naqsh detallari- ni kitob g’oyasini ochib berishga xizmat qildirib, kitobat san’atida o’ziga xos badiiy uslub yaratdi. I. bezagan Kito- blar Leypsig sh.da utkazilgan xalqaro kitob kurgazmasida diplom va medal b-n mukofotlangan (1959). I. grafikaga doir ko’pgina qullan- malar yaratgan («O’zbekcha rasm- lik kesma Alifbe», 1932; «rasm o’rganish qullanmasi», «harf yozishni o’rganing»,1935 va b.). Ad.: Krukovskaya S. M., Iskandar Ikramov, T., 1967; kitob naqqoshi, T., 1993.<\/p>\n","protected":false},"excerpt":{"rendered":"
Ikromov Iskandar (1904.15.4 -Toshkent \u2014 1972.6.11) \u2014 grafik ras- som, kitob grafikasi ustasi. O’zbekiston xalq rassomi (1944). Turkiston rassom- lik maktabida (1922-24), Leningrad Badiiy sanoat texnikumida (1925-29) ta’lim olgan. O’zbekiston … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[199],"tags":[],"class_list":["post-130138","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-i-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/130138","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=130138"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/130138\/revisions"}],"predecessor-version":[{"id":130149,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/130138\/revisions\/130149"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=130138"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=130138"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=130138"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}