Intermediya (lot. Intermedius \u2014 oraliq) \u2014 1) kichik, ko’pincha hajviy yo’nalishdagi pesa; dramatik spektakl oralig’ida (ko’pincha musiqa va balet o’yinlari b-n uyg’un holda) ijro etila- digan musiqali drama yoki opera. Drama- turgiya va teatr san’ati paydo bo’lishidan ko’p asrlar avval jahon xa-lqlari og’zaki ijodida yaratilgan. I. 15-a.dan G’arbiy Evropa teatrlariga ham ko’chib, 17-18- a.larda keng tarqalgan. O’zbekistonda I. atamasi iste’molda bo’lmagan bo’lsada, unga xos barcha belgilar qad. zamonlar- da yaratilgan og’zaki pesalarda mavjud bo’lgan. Masxarabozlik, qiziqchilik va qo’g’irchoq teatrlarining ijodkorla- ri bunday pesalar matnlarini o’zlari yaratib, o’zlari keng xalq ommasi oldida namoyish etganlar. Teatrshunos olim- lar O’zbekistonda xalq dramaturgiyasi va teatri (Birdiyor shum, Rizo qiyiq, Usmon qiziq, Ro’zigov, Shomat qiziq, Yusufjon qiziq va b.) namoyandalaridan «Maqtanchoq kishi», «er va xotin», «Mu- darris», «sudxo’r», «sarkardalar», «uy- lanish» va b. I. \u2014 pesalar matnlarini yozib olganlar. O’zbekistonda 20-a.ning 10\u2014 20-y.larida o’tkazilgan «tomosha kecha-si», «teatr kechasi», «Sharq kecha- si» kabi madaniy-oqartuv tadbirlari- da, teatr to’dalari tomonidan qo’yilgan spektakllar oralig’ida ham I.lar ko’rsatilgan. Keyinchalik O’zbekiston televideniesida «miniatyuralar tea- tri», radiosida «tabassum ustaxonasi» bo’limlari tashkil etilgan. E. Karimov, R. Karimova, h. Tojiboev, M. Xolmedov, O. Asomov va b. artistlar I.ning mohir ijrochilaridir; 2) Fugyada mav-zularni hozirlovchi va bog’lovchi oraliqepizod; ba’zan interlyudiya deb ham ataladi.<\/p>\n","protected":false},"excerpt":{"rendered":"
Intermediya (lot. Intermedius \u2014 oraliq) \u2014 1) kichik, ko’pincha hajviy yo’nalishdagi pesa; dramatik spektakl oralig’ida (ko’pincha musiqa va balet o’yinlari b-n uyg’un holda) ijro etila- digan musiqali drama yoki opera. … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[199],"tags":[],"class_list":["post-130341","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-i-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/130341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=130341"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/130341\/revisions"}],"predecessor-version":[{"id":130352,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/130341\/revisions\/130352"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=130341"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=130341"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=130341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}