Gyugo (Hugo) Viktor Mari (1802.26.2, Bezanson \u2014 1885.22.5, Pa- Rij) \u2014 frantsuz adibi, romantizmning yirik namoyandasi. Dastlabki asari \u2014 «Qasidalar» (1821) she’rlar to’plami monarxiya g’oyalari ta’sirida bo’lib, 20-y.larning 2-yarmidan demokratik qarashlari mustahkamlana borgan. Isyon- korlik ruhi b-n sug’orilgan «Kromvel» (1827), «Sharq motivlari» (1829), «Ma- Rion Delorm» (1829), «Ernani» (1830), «Ryui Blaz» (1838) va b. she’riy va drama- tik asarlarida davrning dolzarb masala- lari aks etgan. «Parijdagi Bibi Maryam ibodatxonasi» (1831) tarixiy romani voqealari o’rta asrda bo’lib o’tadi, asar- da muhabbat fojiasi tasvirlanadi. 1848 y.dagi inqilobni olqishlagan. Lui Bo- napartning davlat to’ntarishini (1851) qoralagan. Shundan so’ng 18 yil surgunda bo’lib, qator romanlar yozgan. «Pakana Na- poleon» (1852), «Xo’rlanganlar» (1862), «Dengiz zahmatkashlari» (1866), «kulib turuvchi kishi» (1869), «bir jinoyat tari- XI» (1877-78) romanlarini yozib, ular- da oddiy frantsuzlarning og’ir hayoti va kurashini tasvirlaydi. G. romanlarida- gi buyuk va olijanob insonlar turmush- dagi pastkashliklar va illatlarga qarshi kurashishadi. «Dahshatli yil» (1872) she’rlar to’plami frantsuz-pruss urushi va Parij Kommunasi (1871) voqealariga bag’ishlangan. So’nggi «93-yil» Roma- ni (1874)da inqilobga xayrixoxlik b-n qaragan. «Dengiz zahmatkashlari» (1938, 1965), «Xo’rlanganlar»ning «Kozeta» va «Gavrosh» bo’limlari (1952, 1955), «Byug Jargal» (1982) Q. Mirmuhamedov, Nur- bek, E. Obidov tarjimasida o’zbek tili- da nashr qilingan, «kulib turuvchi kishi» Navoiy teatrida sahnalashtirilgan (1966).<\/p>\n","protected":false},"excerpt":{"rendered":"
Gyugo (Hugo) Viktor Mari (1802.26.2, Bezanson \u2014 1885.22.5, Pa- Rij) \u2014 frantsuz adibi, romantizmning yirik namoyandasi. Dastlabki asari \u2014 «Qasidalar» (1821) she’rlar to’plami monarxiya g’oyalari ta’sirida bo’lib, 20-y.larning 2-yarmidan demokratik … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[210],"tags":[],"class_list":["post-131214","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-g-harfi-2","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/131214","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=131214"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/131214\/revisions"}],"predecessor-version":[{"id":131216,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/131214\/revisions\/131216"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=131214"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=131214"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=131214"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}