{"id":13249,"date":"2021-12-25T11:02:46","date_gmt":"2021-12-25T08:02:46","guid":{"rendered":"https:\/\/milliycha.uz\/?p=13249"},"modified":"2021-12-25T11:02:47","modified_gmt":"2021-12-25T08:02:47","slug":"yungvaldxilkevich-emil-olgerd-iosifovich","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/yungvaldxilkevich-emil-olgerd-iosifovich\/","title":{"rendered":"YUNGVALDXILKEVICH EMIL OLGERD IOSIFOVICH"},"content":{"rendered":"\n<p>YUNGVALDXILKEVICH EMIL OLGERD IOSIFOVICH [1897.14(26).4, Kiyev \u2014 1967.6.8, Toshkent] \u2014 opera rejissyori, pedagog. O&#8217;zbekiston xalq artisti (1939). O&#8217;zbek operasi asoschilaridan. Kiyev teatr akademiyasini tugatgan (1920). 1922-34 yillarda Xarkov, Jitomir, Odessa, Perm opera teatrlarida rejissyor. Toshkent rus opera va balet teatrida, O&#8217;zbek davlat musiqali drama teatrida (1934-40), Olmaota opera va balet teatrida (1940-43) bosh rejissyor, badiiy rahbar. 1943-67 yillarda Toshkent konservatoriyasida pedagog, dotsent (1964). 1943-64 yillar (oradan uzilishlar bilan) Navoiy teatrining bosh rejissyori. &#171;Farhod va Shirin&#187; (V.Uspenskiy, G.Mushel) musiqali dramasi va &#171;Er Targ&#8217;in&#187; (E.Brusilovskiy), &#171;Buyuk kanal&#187;, &#171;Bo&#8217;ron&#187; (S.Vasilenko, M.Ashrafiy,), &#171;Tohir va Zuhra&#187; (T.Jalilov, B.Brovsin), &#171;Karmen&#187; (J.Bize), &#171;Yevgeniy Onegin&#187; va &#171;Qarg&#8217;a motkasi&#187; (P.Chaykovskiy, o&#8217;zbek tilida), &#171;Dilorom&#187; (M.Ashrafiy), &#171;Knyaz Igor&#187; (A.Borodin) kabi operalarni rejissyor sifatida sahnalashtirgan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>YUNGVALDXILKEVICH EMIL OLGERD IOSIFOVICH [1897.14(26).4, Kiyev \u2014 1967.6.8, Toshkent] \u2014 opera rejissyori, pedagog. O&#8217;zbekiston xalq artisti (1939). O&#8217;zbek operasi asoschilaridan. Kiyev teatr akademiyasini tugatgan (1920). 1922-34 yillarda Xarkov, Jitomir, Odessa, &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/yungvaldxilkevich-emil-olgerd-iosifovich\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":9243,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[112],"tags":[],"class_list":["post-13249","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yu-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/13249","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=13249"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/13249\/revisions"}],"predecessor-version":[{"id":13260,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/13249\/revisions\/13260"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/9243"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=13249"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=13249"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=13249"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}