{"id":134282,"date":"2024-06-15T15:34:46","date_gmt":"2024-06-15T12:34:46","guid":{"rendered":"https:\/\/milliycha.uz\/?p=134282"},"modified":"2024-06-15T15:34:49","modified_gmt":"2024-06-15T12:34:49","slug":"garmoniya","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/garmoniya\/","title":{"rendered":"Garmoniya"},"content":{"rendered":"\n<p>Garmoniya (Yun. harmonia \u2014 bog&#8217;lanish, mutanosiblik) \u2014 1) ko&#8217;p ovoz- li musiqaning asosiy ifoda vositalari- dan biri. Bunda asar mazmuni kuy rivo- Ji orqaligina emas, balki unga hamohang bo&#8217;lgan turli akkordparning almashi- nuvi yordamida ifodalanadi. G. muayyan lad va tonallikka oid akkordlarning sadolanish xususiyatlariga hamda ular- ning musiqa jarayonidagi turg&#8217;unligi yoki beqarorligiga asoslanadi. Odatda (gomofoniyauspubiaa) bosh kuy yuqori ovozda (ba&#8217;zan o&#8217;rta yoki past ovozlarda) bayon etilib, o&#8217;zga ovozlarda unga uzviy bog&#8217;liq bo&#8217;lgan kuy parchalari ham ma&#8217;- lum g. majmuini tashkil etishi mumkin. Kompozitorlar akkordlar muvozanati- dan turlicha foydalanib o&#8217;zlariga xos g. uslublarini kashf etishgan. Shuningdek, muayyan ijodiy yo&#8217;nalish (mas, Vena klas- sik maktabi), oqim (musiqaviy roman- tizm, impressionizm), milliy maktab namoyandalari ham ma&#8217;lum g. majmuiga tayanishgan; 2) musiqashunoslikning mu- ayyan tadqiq sohasi hamda maxsus musiqa o&#8217;quv yurtlarida o&#8217;zlashtiriladigan fan. Ad.: Mazel L., Problemi klassiche- skoy garmonii. M., 1972; Zakrjevskaya S, Garmoniya v tvorchestve kompozitorov O&#8217;zbekistana, Tadjikistana i turkme- NII, T., 1979; Azimova O., Garmoniya, T., 1999.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Garmoniya (Yun. harmonia \u2014 bog&#8217;lanish, mutanosiblik) \u2014 1) ko&#8217;p ovoz- li musiqaning asosiy ifoda vositalari- dan biri. Bunda asar mazmuni kuy rivo- Ji orqaligina emas, balki unga hamohang bo&#8217;lgan turli &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/garmoniya\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[210],"tags":[],"class_list":["post-134282","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-g-harfi-2","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/134282","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=134282"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/134282\/revisions"}],"predecessor-version":[{"id":134298,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/134282\/revisions\/134298"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=134282"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=134282"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=134282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}