{"id":134541,"date":"2024-06-16T08:32:31","date_gmt":"2024-06-16T05:32:31","guid":{"rendered":"https:\/\/milliycha.uz\/?p=134541"},"modified":"2024-06-16T08:32:33","modified_gmt":"2024-06-16T05:32:33","slug":"griffit-griffi-th-deyvid-uork","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/griffit-griffi-th-deyvid-uork\/","title":{"rendered":"Griffit (Griffi th) Deyvid Uork"},"content":{"rendered":"\n<p>Griffit (Griffi th) Deyvid Uork (1875.22.1, La Greynj &#8212; 1948.23.7, Gol- livud) \u2014 Amerika kinorejissyori. AQSh kinosida aktyorlik maktabiga asos sol- gan. Kinoda 1907 y.dan ishlagan. 1913 y.dan Gollivudda ijod qilgan. Muqim va tushunish oson bo&#8217;lgan usul sifatida parallel montaj va yirik planni bi- rinchi bo&#8217;lib qo&#8217;llagan, kinoni suratga olish texnikasini qayta qurgan. G.ning g&#8217;oyaviy jihatdan bir-biriga qarama- qarshi ijodi namoyon bo&#8217;lgan: &#171;millat- ning tug&#8217;ilishi&#187;da irqchilik tendentsiya- si ilgari surilgan bo&#8217;lsa, &#171;Jahon yura- gi&#187; filmida esa oq va qora tanlilar birligi olqishlanadi. &#171;Chidamsizlik&#187; kinosida axloq-odob va etik muammo- lar ko&#8217;tariladi. Shuningdek, &#171;sindi &#8212; rilgan novdalar&#187;, &#171;Sharq tomon yo&#8217;l&#187;, &#171;Ikki etimcha&#187; filmlari ham g. ijodi- da alohida o&#8217;rin tutadi. 1931 y. kinoni tark etgan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Griffit (Griffi th) Deyvid Uork (1875.22.1, La Greynj &#8212; 1948.23.7, Gol- livud) \u2014 Amerika kinorejissyori. AQSh kinosida aktyorlik maktabiga asos sol- gan. Kinoda 1907 y.dan ishlagan. 1913 y.dan Gollivudda ijod &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/griffit-griffi-th-deyvid-uork\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[210],"tags":[],"class_list":["post-134541","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-g-harfi-2","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/134541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=134541"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/134541\/revisions"}],"predecessor-version":[{"id":134549,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/134541\/revisions\/134549"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=134541"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=134541"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=134541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}