{"id":134544,"date":"2024-06-16T08:32:24","date_gmt":"2024-06-16T05:32:24","guid":{"rendered":"https:\/\/milliycha.uz\/?p=134544"},"modified":"2024-06-16T08:32:25","modified_gmt":"2024-06-16T05:32:25","slug":"grilparser-grillparzer-frans","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/grilparser-grillparzer-frans\/","title":{"rendered":"Grilparser (Grillparzer ) Frans"},"content":{"rendered":"\n<p>Grilparser (Grillparzer ) Frans (1791.15.1 &#8212; Vena &#8212; 1872.21.1) &#8212; Avstriya dramaturgi. Avstriya zamona- viy adabiyoti asoschilaridan. She&#8217;r va epigrammalar, realistik novellalar (&#171;Qashshoq musiqachi&#187;, 1848) yaratgan. G. asosan dramaturg sifatida Shuhrat qozongan. &#171;Avlod onasi&#187; (1817), mifo- logik mavzu asosidagi &#171;Safo&#187; (1818), &#171;Oltin po&#8217;stin&#187; (1821),&#187;dengiz va sev- gi to&#8217;lqinlari&#187; (1831), milliy-tarixiy mavzudagi &#171;Qirol Ottokarning buyukli- gi va inqirozi&#187; (1825), &#171;xo&#8217;jasining sodiq quli&#187; (1828), &#171;Yolg&#8217;onchining ja- zosi&#187; (1838), &#171;Gabsburglar xonadonida aka-ukalar janjali&#187; (1850), realistik ruhdagi &#171;Toledolik yahudiy ayol&#187; (1855) kabi fojiaviy asarlarida teskarichi gu- ruxlarning rasmiyatchilik tartiblarini qoralagan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Grilparser (Grillparzer ) Frans (1791.15.1 &#8212; Vena &#8212; 1872.21.1) &#8212; Avstriya dramaturgi. Avstriya zamona- viy adabiyoti asoschilaridan. She&#8217;r va epigrammalar, realistik novellalar (&#171;Qashshoq musiqachi&#187;, 1848) yaratgan. G. asosan dramaturg sifatida &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/grilparser-grillparzer-frans\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[210],"tags":[],"class_list":["post-134544","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-g-harfi-2","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/134544","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=134544"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/134544\/revisions"}],"predecessor-version":[{"id":134547,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/134544\/revisions\/134547"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=134544"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=134544"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=134544"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}