{"id":135205,"date":"2024-06-16T12:25:15","date_gmt":"2024-06-16T09:25:15","guid":{"rendered":"https:\/\/milliycha.uz\/?p=135205"},"modified":"2024-06-16T12:25:16","modified_gmt":"2024-06-16T09:25:16","slug":"gerasimov-sergey-apollinarievich","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/gerasimov-sergey-apollinarievich\/","title":{"rendered":"Gerasimov Sergey Apollinarievich"},"content":{"rendered":"\n<p>Gerasimov Sergey Apollinarievich (1906.21.5, Ekaterinburg &#8212; 1985.28.11, Moskva) \u2014 rus kino rejissyo- ri, kino nazariyotchisi. San&#8217;atshunoslik fanlari dri. 1946 y.dan kinematografiya in-tining prof. (hoz. in-t g. nomida) G. obrazlarni aniq va o&#8217;tkir shtrixlar- da gavdalantirish ustasi. Voqealarni Real, ishonarli tasvirlashga intilish, qahramonning o&#8217;ziga xos xususiyatlarini, uning psixologik kechinmalarini teran ochib berishga qiziqish zamona-viy mavzu- da yaratgan filmlarida o&#8217;z aksini topdi. Filmlari: &#171;etti Botir&#187;, &#171;o&#8217;qituvchi&#187;, &#171;Maskarad&#187;, &#171;yosh gvardiya&#187;, &#171;tinch oqar Don&#187;, &#171;ko&#8217;l bo&#8217;yida&#187;, &#171;insonni sevmoq&#187;, &#171;Pyotrning yoshligi&#187;, &#171;Kizil va kora&#187;, &#171;Ezgu ishlar boshida&#187;, &#171;Lev Tolstoy&#187; va b. G. rej. \u2014 ustoz sifatida aktyorlar b-n ishlashga, yoshlar dunyoqarashining badi- iy tahliliga alohida e&#8217;tibor qaratgan. Rej. ayniqsa kinoroman shakllariga Su- yanib ijod qilgan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gerasimov Sergey Apollinarievich (1906.21.5, Ekaterinburg &#8212; 1985.28.11, Moskva) \u2014 rus kino rejissyo- ri, kino nazariyotchisi. San&#8217;atshunoslik fanlari dri. 1946 y.dan kinematografiya in-tining prof. (hoz. in-t g. nomida) G. obrazlarni aniq &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/gerasimov-sergey-apollinarievich\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[210],"tags":[],"class_list":["post-135205","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-g-harfi-2","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/135205","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=135205"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/135205\/revisions"}],"predecessor-version":[{"id":135222,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/135205\/revisions\/135222"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=135205"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=135205"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=135205"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}