{"id":15417,"date":"2022-01-23T13:12:38","date_gmt":"2022-01-23T10:12:38","guid":{"rendered":"https:\/\/milliycha.uz\/?p=15417"},"modified":"2022-01-23T13:12:40","modified_gmt":"2022-01-23T10:12:40","slug":"basso-ostinato","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/basso-ostinato\/","title":{"rendered":"BASSO OSTINATO"},"content":{"rendered":"\n<p>BASSO OSTINATO (italyancha basso ostinato \u2014 qat&#8217;iy bas) \u2014 musiqada variatsiya shakllaridan. Asarda o&#8217;zgaruvchi yuqori ovozlar jo&#8217;rligida pastki (bas) ovoz ko&#8217;p marta takrorlanishiga asoslanadi. Qadimgi rake janrlari (Passakalya, chakona) da va ular asosida yaratilgan asarlarda (masalan, I. S. Bax, D. Bukstexude, D. Shostakovich, P. Xindemit va boshqalar ijodida) Basso ostinato shaklidan keng foydalanilgan. O&#8217;zbekiston kompozitorlarining asarlarida ham qo&#8217;llaniladi: M. Tojiyevning 1-simfoniyasi (1 qism \u2014 &#171;Passakalya&#187;), F. Yanov-Yanovskiyning &#171;Orkestr uchun kontsert&#187;i (V qism \u2014 &#171;Basso ostinato&#187;), Ik. Akbarovning &#171;Samarqand hikoyalari&#187; (IV qism \u2014 &#171;Shohizinda&#187;) va boshqalar.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>BASSO OSTINATO (italyancha basso ostinato \u2014 qat&#8217;iy bas) \u2014 musiqada variatsiya shakllaridan. Asarda o&#8217;zgaruvchi yuqori ovozlar jo&#8217;rligida pastki (bas) ovoz ko&#8217;p marta takrorlanishiga asoslanadi. Qadimgi rake janrlari (Passakalya, chakona) da &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/basso-ostinato\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":15012,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[114],"tags":[],"class_list":["post-15417","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-b-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/15417","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=15417"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/15417\/revisions"}],"predecessor-version":[{"id":15418,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/15417\/revisions\/15418"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/15012"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=15417"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=15417"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=15417"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}