{"id":15930,"date":"2022-01-27T14:28:46","date_gmt":"2022-01-27T11:28:46","guid":{"rendered":"https:\/\/milliycha.uz\/?p=15930"},"modified":"2022-01-27T14:28:47","modified_gmt":"2022-01-27T11:28:47","slug":"beknazarov-amo","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/beknazarov-amo\/","title":{"rendered":"BEKNAZAROV AMO"},"content":{"rendered":"\n<p>BEKNAZAROV AMO (Ambarsum) Ivanovich 11892.19(31).5, Yerevan 1965.27.4, Moskva] \u2014 aktyor, rejissyor, stsenariychi. Armaniston xalq artisti (1935). Birinchi filmi \u2014 &#171;Sharmandayu sharmisor&#187; (1924, A. Kazbegining &#171;Padarkush&#187; romani asosida). Beknazarov 1925 yildan arman milliy kinematografiyasiga boshchilik qildi. Birinchi arman badiiy filmi &#171;Nomus&#187;ni yaratdi (1926, A. Shirvonzodaning shu nomli romani asosida, stsenariysi Beknazarovniki). Beknazarovning ovozsiz kino davrida yaratgan eng yaxshi filmlaridan yana biri &#171;Vulkan ustidagi uy&#187; (1929)dir. &#171;Pepo&#187; (1935), &#171;Zangezur&#187; (1938), &#171;Davidbek&#187; (1944), &#171;Hovli to&#8217;yi&#187; (1955, Abdulla Qahhor asari asosida), &#171;Nasriddin Xo&#8217;jandda&#187; (1960, stsenariysi Beknazarovniki, rejissyor E. Karamyan bilan hamkorlikda) kabi ovozli filmlarida Beknazarov o&#8217;ta iqtidorli rejissyor sifatida namoyon bo&#8217;ldi. Beknazarov ijodi qator respublikalarning milliy kinematografiyasi taraqqiyotiga va Armaniston, Gruziya, Ozarbayjonda rejissyorlik san&#8217;atining shakllanishiga ta&#8217;sir qildi. &#171;Armanfilm&#187; kinostudiyasi 1966 yildan Beknazarov nomi bilan ataladi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>BEKNAZAROV AMO (Ambarsum) Ivanovich 11892.19(31).5, Yerevan 1965.27.4, Moskva] \u2014 aktyor, rejissyor, stsenariychi. Armaniston xalq artisti (1935). Birinchi filmi \u2014 &#171;Sharmandayu sharmisor&#187; (1924, A. Kazbegining &#171;Padarkush&#187; romani asosida). Beknazarov 1925 yildan &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/beknazarov-amo\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":15012,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[114],"tags":[],"class_list":["post-15930","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-b-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/15930","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=15930"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/15930\/revisions"}],"predecessor-version":[{"id":15934,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/15930\/revisions\/15934"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/15012"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=15930"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=15930"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=15930"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}