{"id":16389,"date":"2022-01-30T16:56:32","date_gmt":"2022-01-30T13:56:32","guid":{"rendered":"https:\/\/milliycha.uz\/?p=16389"},"modified":"2022-01-30T16:56:34","modified_gmt":"2022-01-30T13:56:34","slug":"besuyak","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/besuyak\/","title":{"rendered":"&#171;BESUYAK&#187;"},"content":{"rendered":"\n<p>&#171;BESUYAK&#187; \u2014 1) o&#8217;zbek xalq tsirk san&#8217;ati janrlaridan. 18-19-asrlarda taraqqiy topgan; 2) tanani egib bukish mashqining ustasi, muallaqchi. 19-asr oxiri\u201420-asr boshida Solih Po&#8217;latov, Mirbuva, Nosir Niyozmat kabi yirik &#171;Besuyak&#187;lar o&#8217;tgan. Hamdamxon bachcha, Dakanxon, Jo&#8217;racha singari taniqli raqqos(a)lar ham &#171;Besuyak&#187;, bo&#8217;lishgan. &#171;Besuyak&#187;, orqaga egilib boshni oyoqlar orasidan oldinga chiqarib olish, oyoklarni yozib, &#171;ko&#8217;prik&#187; bo&#8217;lish, kalla, tana, qo&#8217;l va oyoqlarni navbatma navbat halqalar orasidan o&#8217;tkazish, orqaga egilib, kipriklari bilan yerdagi kumush tangani olish, oyoqylarni bo&#8217;yinda chalkashtirib, qo&#8217;l bilan yurish kabi murakkab akrobatik shakllarni mohirona bajaradi. &#171;Besuyak&#187;, tomoshalari bozor maydoni, Sayilgoh va to&#8217;yxonalarda kichik sholcha ustida sunray yoki doira jo&#8217;rnavozligida ko&#8217;rsatilgan. Keyinchalik &#171;Besuyak&#187;lar an&#8217;anasini aka-uka Rahmon va Parzin Abduxalilovlar, Karim Zarifov, Rasuljon Rahmonov va boshqalar davom ettirdilar. &#171;Besuyak&#187;ning ayrim shakllari hozirgi o&#8217;zbek tsirki tomoshalarida ham uchraydi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#171;BESUYAK&#187; \u2014 1) o&#8217;zbek xalq tsirk san&#8217;ati janrlaridan. 18-19-asrlarda taraqqiy topgan; 2) tanani egib bukish mashqining ustasi, muallaqchi. 19-asr oxiri\u201420-asr boshida Solih Po&#8217;latov, Mirbuva, Nosir Niyozmat kabi yirik &#171;Besuyak&#187;lar o&#8217;tgan. &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/besuyak\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":15012,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[114],"tags":[],"class_list":["post-16389","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-b-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/16389","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=16389"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/16389\/revisions"}],"predecessor-version":[{"id":16393,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/16389\/revisions\/16393"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/15012"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=16389"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=16389"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=16389"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}