{"id":17507,"date":"2022-02-12T20:06:20","date_gmt":"2022-02-12T17:06:20","guid":{"rendered":"https:\/\/milliycha.uz\/?p=17507"},"modified":"2022-02-12T20:06:21","modified_gmt":"2022-02-12T17:06:21","slug":"boboyev-baxtiyor-mamarasul-ogli","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/boboyev-baxtiyor-mamarasul-ogli\/","title":{"rendered":"BOBOYEV BAXTIYOR MAMARASUL O&#8217;G&#8217;LI"},"content":{"rendered":"\n<p>BOBOYEV BAXTIYOR MAMARASUL O&#8217;G&#8217;LI (1937.25.12, hozirgi Qozog&#8217;istondagi Aris shahri) \u2014rassom, O&#8217;zbekiston BA akademik (1999). O&#8217;zbekistonda xizmat ko&#8217;rsatgan san&#8217;at arbobi (1973). Shoir M. Boboyevning o&#8217;g&#8217;li. Toshkent teatr va rassomlik san&#8217;ati intini tugatgan (1963). 1974 yildan Toshkent teatr va rassomlik san&#8217;ati (hoz. Kamoliddin Behzod nomidagi Milliy rassomlik va dizayn) institutida o&#8217;qituvchi, 1980 yildan dotsent, 1997 yildan professor Boboyev ijodida ijodkorlar, hunarmandlar qiyofasi, mehnat jarayoni muhim o\u2019rin tutadi. Asarlari: &#171;Zamin sho&#8217;ri&#187; (1963), &#171;Tandirchilar&#187; (1968), &#171;Alisher Navoiy portreti&#187; (1968), &#171;Farg\u2019ona navolari&#187; triptixi (1970), &#171;Gazli tongi&#187; (1975), &#171;Chorraxa&#187; (1983), &#171;Alisher Navoiy soy bo&#8217;yida&#187; (1993), &#171;Namozi asr&#187; (1997) va boshqalar. 1963 yildan respublikada va chet mamlakatlardagi badiiy ko&#8217;rgazmalarda asarlari bilan faol ishtirok etadi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>BOBOYEV BAXTIYOR MAMARASUL O&#8217;G&#8217;LI (1937.25.12, hozirgi Qozog&#8217;istondagi Aris shahri) \u2014rassom, O&#8217;zbekiston BA akademik (1999). O&#8217;zbekistonda xizmat ko&#8217;rsatgan san&#8217;at arbobi (1973). Shoir M. Boboyevning o&#8217;g&#8217;li. Toshkent teatr va rassomlik san&#8217;ati intini &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/boboyev-baxtiyor-mamarasul-ogli\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":15012,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[114],"tags":[],"class_list":["post-17507","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-b-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/17507","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=17507"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/17507\/revisions"}],"predecessor-version":[{"id":17513,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/17507\/revisions\/17513"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/15012"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=17507"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=17507"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=17507"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}