{"id":19233,"date":"2022-02-25T19:42:41","date_gmt":"2022-02-25T16:42:41","guid":{"rendered":"https:\/\/milliycha.uz\/?p=19233"},"modified":"2022-02-25T19:42:42","modified_gmt":"2022-02-25T16:42:42","slug":"brams-brahms-iogannes","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/brams-brahms-iogannes\/","title":{"rendered":"BRAMS (BRAHMS) IOGANNES"},"content":{"rendered":"\n<p>BRAMS (BRAHMS) IOGANNES (1833.7.5, Gamburg \u2014 1897.3.4, Vena) \u2014 nemis kompozitori, pianinochi va dirijyor, musiqiy romantizmning yorqin vakili. Brams turli tarkibdagi ijrochilarga mo\u2019ljallangan jami 400 ga yaqin vokal (qo&#8217;shiq, romans, duet, xor va boshqa) asarlar yaratdi. Bular orasida Hofiz Sheroziy she&#8217;rlariga yozilgan &#171;To&#8217;qqizta qo&#8217;shiq va sadolar&#187; hamda &#171;Beshta qo&#8217;shiq&#187; (ovoz va fortepiano uchun, 1863, 1864-68) Bramsning eng yorqin Oriental (umumsharqiy) asarlaridir. Shuningdek, mashhur &#171;Vengercha raqslar&#187; (jami 21 ta, 1880), qayta ishlangan Venger, lo&#8217;li va boshqa xalqlar qo&#8217;shiqlarida ham sharqona uslub xususiyatlari seziladi. Bramsning &#171;nemischa Rekviem&#187;i (1868), 4 ta simfoniyasi (1874-85), fortepiano va orkestr (2 ta), skripka va orkestr, skripka, violonchel va orkestr uchun kontsertlari, fortepiano uchun 3 ta sonatasi, intermessolari va boshqa asarlari Yevropa romantik musiqasi durdonalari qatoridan o&#8217;rin olgan. Bramsning simfoniyalari, kamercholgu va vokal asarlari O&#8217;zbekistonda ham ijro etib kelinadi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>BRAMS (BRAHMS) IOGANNES (1833.7.5, Gamburg \u2014 1897.3.4, Vena) \u2014 nemis kompozitori, pianinochi va dirijyor, musiqiy romantizmning yorqin vakili. Brams turli tarkibdagi ijrochilarga mo\u2019ljallangan jami 400 ga yaqin vokal (qo&#8217;shiq, romans, &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/brams-brahms-iogannes\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":16402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[114],"tags":[],"class_list":["post-19233","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-b-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/19233","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=19233"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/19233\/revisions"}],"predecessor-version":[{"id":19236,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/19233\/revisions\/19236"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/16402"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=19233"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=19233"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=19233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}