{"id":19505,"date":"2022-03-01T12:32:51","date_gmt":"2022-03-01T09:32:51","guid":{"rendered":"https:\/\/milliycha.uz\/?p=19505"},"modified":"2022-03-01T12:33:17","modified_gmt":"2022-03-01T09:33:17","slug":"brext-brecht-bertolt","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/brext-brecht-bertolt\/","title":{"rendered":"BREXT (BRECHT) BERTOLT"},"content":{"rendered":"\n<p>BREXT (BRECHT) BERTOLT (1898.10.2, Augsburg \u2014 1956.14.8, Berlin) \u2014 nemis yozuvchisi, rejissyor. 1933-47 yillarda muhojirlikda. &#171;Berliner ansambl&#187; teatriga asos solgan (1949). Falsafiy-satirik pyesalari zamonaviy, tarixiy va mifologik mavzularda yozilgan. &#171;Uch pullik opera&#187; (1928 yilda sahnalashtirilgan, 1931 yilda chop etilgan), &#171;Kuraj ona va uning bolalari&#187; (1939 yilda yozilgan, 1941 yilda nashr etilgan), &#171;Galiley hayoti&#187; (1938-39 yillarda yozilgan, 1955 yilda nashr etilgan), &#171;Sezuanlik saxiy odam&#187; (1938\u2014 40 yillarda yozilgan, 1943 yilda nashr etilgan) va boshqa asarlarida zamonaviy dolzarb muammolar insonparvarlik, antifashistik ruhida o&#8217;rtaga tashlangan. Brextning teatr nazariyasiga oid ishlari (&#171;Hozirgi zamon teatri yo&#8217;lida&#187;, &#171;Teatrda dialektika&#187; va boshqalar) 20-asr Yevropa teatrshunosligiga ta&#8217;sir etgan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>BREXT (BRECHT) BERTOLT (1898.10.2, Augsburg \u2014 1956.14.8, Berlin) \u2014 nemis yozuvchisi, rejissyor. 1933-47 yillarda muhojirlikda. &#171;Berliner ansambl&#187; teatriga asos solgan (1949). Falsafiy-satirik pyesalari zamonaviy, tarixiy va mifologik mavzularda yozilgan. &#171;Uch &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/brext-brecht-bertolt\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":16402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[114],"tags":[],"class_list":["post-19505","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-b-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/19505","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=19505"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/19505\/revisions"}],"predecessor-version":[{"id":19509,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/19505\/revisions\/19509"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/16402"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=19505"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=19505"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=19505"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}