{"id":19964,"date":"2022-03-04T14:39:07","date_gmt":"2022-03-04T11:39:07","guid":{"rendered":"https:\/\/milliycha.uz\/?p=19964"},"modified":"2022-03-04T14:39:08","modified_gmt":"2022-03-04T11:39:08","slug":"bunin-ivan-alekseyevich","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/bunin-ivan-alekseyevich\/","title":{"rendered":"BUNIN IVAN ALEKSEYEVICH"},"content":{"rendered":"\n<p>BUNIN IVAN ALEKSEYEVICH 1 1870.10 (22) 10, Voronej 1953.8.11, Parij] \u2014 rus shoiri. Peterburg Fanlar Akademiyasi faxriy akademik (1909). 1920 yildan emigratsiyada. Poeziyada rus mumtoz she&#8217;riyati an&#8217;analarining davomchisi (&#171;Xazonrezgi&#187;, to&#8217;plam, 1901). Hikoya va povestlarida (ko&#8217;pincha o&#8217;tmishni qo&#8217;msash kayfiyatiga berilgan holda) dvoryanlar xonadonining qashshoqlashuvi (&#171;Antonov olmalari&#187;, 1900), qishloqning og&#8217;ir qismati (&#171;Qishloq&#187;, 1910; &#171;Qaqragan vodiy&#187;, 1911), turmush ma&#8217;naviy asoslarini unutishga mahkumlik fojiasi (&#171;Sanfrantsiskolik janob&#187;, 1915) yaqqol tasvirlangan. Kundalik tarzidagi &#171;Badbaxt kunlar&#187; (1918 yil, 1925 yilda nashr etilgan) da Oktabr to&#8217;ntarishi keskin rad etilgan; Rossiyaning o&#8217;tmishini tiklash, adibning o&#8217;z bolalik va yoshligiga qaytish kayfiyatlari aks etgan. Sevgi haqidagi hikoyalarida (&#171;Mityaning sevgisi&#187;, 1925); &#171;Qorong&#8217;i xiyobonlar&#187; (1943) kitobida insoniyat taqairining fojiaviyligi qalamga olingan. Bunin memuarlar yozgan. G. Longfelloning &#171;Gayavata haqida qo&#8217;shiq&#187; (1896) asarini tarjima qilgan. Nobel mukofoti laureati (1933).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>BUNIN IVAN ALEKSEYEVICH 1 1870.10 (22) 10, Voronej 1953.8.11, Parij] \u2014 rus shoiri. Peterburg Fanlar Akademiyasi faxriy akademik (1909). 1920 yildan emigratsiyada. Poeziyada rus mumtoz she&#8217;riyati an&#8217;analarining davomchisi (&#171;Xazonrezgi&#187;, to&#8217;plam, &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/bunin-ivan-alekseyevich\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":16402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[114],"tags":[],"class_list":["post-19964","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-b-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/19964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=19964"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/19964\/revisions"}],"predecessor-version":[{"id":19969,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/19964\/revisions\/19969"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/16402"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=19964"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=19964"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=19964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}