{"id":23524,"date":"2022-04-07T16:29:58","date_gmt":"2022-04-07T13:29:58","guid":{"rendered":"https:\/\/milliycha.uz\/?p=23524"},"modified":"2022-04-07T16:29:59","modified_gmt":"2022-04-07T13:29:59","slug":"darvesh-muhammad-ibn-dostmuhammad-buxoriy","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/darvesh-muhammad-ibn-dostmuhammad-buxoriy\/","title":{"rendered":"DARVESH MUHAMMAD IBN DO&#8217;STMUHAMMAD BUXORIY"},"content":{"rendered":"\n<p>DARVESH MUHAMMAD IBN DO&#8217;STMUHAMMAD BUXORIY (16-asr) \u2014 xattot, husnixat nazariyotchisi. Fors tilida bitgan &#171;Favoyid ul-xututi&#187; (&#171;Xatlar foydalari&#187;) risolasining 4 nusxasi O&#8217;zFAShI jamg&#8217;armasida (inv. \u2116 2617, 2606, 2383, 9038) saqlanadi. Asar 2 qismdan iborat bo&#8217;lib, 1-qismida yozuvning paydo bo&#8217;lishi, xat usuli yaratuvchilarining tarjimai holi, Arab yozuvining 14 xil usuli va ularning kelib chiqishi, atamalar va ularning etimologiyasi haqida ma&#8217;lumot berilgan; 2-qismida xat turlaridan suls, tavqe, Rayhon, nasx, riqo, g&#8217;ubor va boshqa usullarining tavsifi va yozilish qoidalari bayon qilingan hamda har bir harfning yozilish qoidalari tushuntirilgan. Mazkur risola Markaziy Osiyoda yaratilgan husnixat san&#8217;ati haqidagi eng muhim qadimgi asarlardan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>DARVESH MUHAMMAD IBN DO&#8217;STMUHAMMAD BUXORIY (16-asr) \u2014 xattot, husnixat nazariyotchisi. Fors tilida bitgan &#171;Favoyid ul-xututi&#187; (&#171;Xatlar foydalari&#187;) risolasining 4 nusxasi O&#8217;zFAShI jamg&#8217;armasida (inv. \u2116 2617, 2606, 2383, 9038) saqlanadi. Asar &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/darvesh-muhammad-ibn-dostmuhammad-buxoriy\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":16402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[116],"tags":[],"class_list":["post-23524","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-d-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/23524","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=23524"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/23524\/revisions"}],"predecessor-version":[{"id":23530,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/23524\/revisions\/23530"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/16402"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=23524"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=23524"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=23524"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}