{"id":24813,"date":"2022-04-16T19:52:34","date_gmt":"2022-04-16T16:52:34","guid":{"rendered":"https:\/\/milliycha.uz\/?p=24813"},"modified":"2022-04-16T19:52:36","modified_gmt":"2022-04-16T16:52:36","slug":"dore-dore-gyustav","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/dore-dore-gyustav\/","title":{"rendered":"DORE (DORE) GYUSTAV"},"content":{"rendered":"\n<p>DORE (DORE) GYUSTAV (1832.6.1, Strasburg \u2014 1883.23.1, Parij) \u2014 frantsuz grafik rassomi, illyustratsiya ustasi. Dore ijodi kamolotida O. Dome san&#8217;atidan ilhomlangan. Romantik xususiyatga ega bo&#8217;lgan jo&#8217;shqin tasviriy, hajviy illyustrasiyalari, hayotiy qiziq voqealar, yengil yumorli asarlari bilan hikoyanavis usta rassom sifatida shuhrat qozongan. F. Rable (&#171;Gargantyua va Pantagryuel&#187;, 1854), O. Balzak (&#171;qiziq hikoyalar&#187;, 1855\u2014 56), Dante (&#171;ilohiy komediya&#187;, 1861), Servantes (&#171;Don Kixot&#187;, 1862\u2014 63) va boshqa asarlari, Injil (1864-66)ga ishlagan rasmlarida Dorening nihoyatda boy xayoloti va o&#8217;ziga xosligi namoyon bo&#8217;lgan. Maishiy janrda asarlar yaratgan (&#171;ko&#8217;prikdagi qashshoqlar. London&#187;, 1873 va b.), haykaltarosh sifatida ijod qilgan (A. Dyuma yodgorligi, bronza, 1882 va boshqalar).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>DORE (DORE) GYUSTAV (1832.6.1, Strasburg \u2014 1883.23.1, Parij) \u2014 frantsuz grafik rassomi, illyustratsiya ustasi. Dore ijodi kamolotida O. Dome san&#8217;atidan ilhomlangan. Romantik xususiyatga ega bo&#8217;lgan jo&#8217;shqin tasviriy, hajviy illyustrasiyalari, hayotiy &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/dore-dore-gyustav\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":16402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[116],"tags":[],"class_list":["post-24813","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-d-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/24813","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=24813"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/24813\/revisions"}],"predecessor-version":[{"id":24818,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/24813\/revisions\/24818"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/16402"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=24813"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=24813"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=24813"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}