{"id":25504,"date":"2022-04-20T19:24:10","date_gmt":"2022-04-20T16:24:10","guid":{"rendered":"https:\/\/milliycha.uz\/?p=25504"},"modified":"2022-04-20T19:24:11","modified_gmt":"2022-04-20T16:24:11","slug":"de-filippo-de-filippo-eduardo","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/de-filippo-de-filippo-eduardo\/","title":{"rendered":"DE FILIPPO (DE FILIPPO) EDUARDO"},"content":{"rendered":"\n<p>DE FILIPPO (DE FILIPPO) EDUARDO, Passarelli (1900.24.5 \u2014 Neapol \u2014 1984.1.11) \u2014 italyan dramaturgi, rejissyor, aktyor, stsenariychi. Ijodi Neoralizm oqimi bilan bog&#8217;liqholda rivojlangan. Aktyor sifatida &#171;frak kiygan uch erkak&#187;, &#171;Ispaniya maydonidan kelgan qiz&#187;, &#171;Neapol tillasi&#187; kabi filmlarda suratgatushgan. Pesalarida ijtimoiy mohiyat, chuqur psixologizm grotesk bilan uyg&#8217;unlashgan: &#171;Filumena Marturano&#187; (keyinroq &#171;italyancha nikoh&#187; nomi bilan ekranlashtirilgan), &#171;shanba, yakshanba, dushanba&#187;, &#171;Fortunella&#187; va boshqalar shular jumlasidan. Kinoda (&#171;Neapol \u2014millionerlar shahri&#187;) ham ishlagan. 1931-73 yillar o&#8217;zi tashkil etgan truppani boshqargan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>DE FILIPPO (DE FILIPPO) EDUARDO, Passarelli (1900.24.5 \u2014 Neapol \u2014 1984.1.11) \u2014 italyan dramaturgi, rejissyor, aktyor, stsenariychi. Ijodi Neoralizm oqimi bilan bog&#8217;liqholda rivojlangan. Aktyor sifatida &#171;frak kiygan uch erkak&#187;, &#171;Ispaniya &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/de-filippo-de-filippo-eduardo\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":16402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[116],"tags":[],"class_list":["post-25504","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-d-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/25504","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=25504"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/25504\/revisions"}],"predecessor-version":[{"id":25510,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/25504\/revisions\/25510"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/16402"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=25504"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=25504"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=25504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}