{"id":25658,"date":"2022-04-21T16:44:38","date_gmt":"2022-04-21T13:44:38","guid":{"rendered":"https:\/\/milliycha.uz\/?p=25658"},"modified":"2022-04-21T16:44:39","modified_gmt":"2022-04-21T13:44:39","slug":"dzavattini-zavattini-chezare","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/dzavattini-zavattini-chezare\/","title":{"rendered":"DZAVATTINI (ZAVATTINI) CHEZARE"},"content":{"rendered":"\n<p>DZAVATTINI (ZAVATTINI) CHEZARE (1902.20.9, Ludzara \u2014 1989) \u2014 italyan kinosan&#8217;atida neorealizm asoschisi, yozuvchi, stsenariychi va kino nazariyotchisi. Ijodi 1928 yildan boshlangan. &#171;Hozircha mening haqimda gaplashaylik&#187;, &#171;men shaytonman&#187;, &#171;mehribon Toto&#187; romanlari mashhur. &#171;Men million beraman&#187;, &#171;Shusha&#187;, &#171;velosiped o&#8217;g&#8217;rilari&#187;, &#171;Umberto Dzavattini&#187;, &#171;Tom&#187;, &#171;Milandagi mo&#187;jiza&#187;, &#171;Italyancha nikoh&#187;, &#171;Kungaboqarlar&#187; kabi stsenariylari bilan Shuhrat qozongan. Uning 40 dan ortiq stsenariylari rejissyor De sika tomonidan ekranlashtirilgan. Kuba milliy kinematografiyasining vujudga kelishida ham Dzavattinining xizmati katta.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>DZAVATTINI (ZAVATTINI) CHEZARE (1902.20.9, Ludzara \u2014 1989) \u2014 italyan kinosan&#8217;atida neorealizm asoschisi, yozuvchi, stsenariychi va kino nazariyotchisi. Ijodi 1928 yildan boshlangan. &#171;Hozircha mening haqimda gaplashaylik&#187;, &#171;men shaytonman&#187;, &#171;mehribon Toto&#187; romanlari &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/dzavattini-zavattini-chezare\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":16402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[116],"tags":[],"class_list":["post-25658","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-d-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/25658","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=25658"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/25658\/revisions"}],"predecessor-version":[{"id":25666,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/25658\/revisions\/25666"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/16402"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=25658"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=25658"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=25658"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}