{"id":26949,"date":"2022-05-20T12:08:09","date_gmt":"2022-05-20T09:08:09","guid":{"rendered":"https:\/\/milliycha.uz\/?p=26949"},"modified":"2022-05-20T12:08:11","modified_gmt":"2022-05-20T09:08:11","slug":"asturias-akshpav-migel-anxel","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/asturias-akshpav-migel-anxel\/","title":{"rendered":"ASTURIAS (AKSHPAV) MIGEL ANXEL"},"content":{"rendered":"\n<p>ASTURIAS (AKSHPAV) MIGEL ANXEL (1899.19.10 &#8212; Gvatemala \u2014 1974.9.6) \u2014 gvatemalalik jurnalist, yozuvchi va shoir. 1925-33 yillar Yevropada Emigratsiyada bo&#8217;lgan. &#171;Gvatemala afsonalari&#187; (1930) kitobida Mayya qabilasi mifologiyasini she&#8217;riy yo&#8217;lda aks ettirgan. &#171;Senor prezident&#187; (1946) romanida zulmga asoslangan rejimni fosh qilgan. Asturiasning dunyoga tanitgan romantrilogiyasi 20-asr Gvatemala xalqining ozodlikka erishish yo&#8217;lidagi kurashi g&#8217;oyalari bilan sug&#8217;orilgan (&#171;kuchli shamol&#187;, 1950; &#171;yashil Papa&#187;, 1954; &#171;dafn etilganlar ko&#8217;zi&#187;, 1960). &#171;Jo&#8217;xori odamlar&#187; (1949), &#171;mulat ayolning o&#8217;zginasi&#187; (1964), &#171;Lid Sol ko&#8217;zgusi&#187; (1967) romanlari ham bor. Asturias ijodiga Gvatemaladagi mahalliy aholi (mayyalar) urf-odatlari, folklori sezilarli ta&#8217;sir ko&#8217;rsatgan. Nobel mukofoti laureati (1967).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ASTURIAS (AKSHPAV) MIGEL ANXEL (1899.19.10 &#8212; Gvatemala \u2014 1974.9.6) \u2014 gvatemalalik jurnalist, yozuvchi va shoir. 1925-33 yillar Yevropada Emigratsiyada bo&#8217;lgan. &#171;Gvatemala afsonalari&#187; (1930) kitobida Mayya qabilasi mifologiyasini she&#8217;riy yo&#8217;lda aks &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/asturias-akshpav-migel-anxel\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":16402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[190],"tags":[],"class_list":["post-26949","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-qoshimcha-harflar","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/26949","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=26949"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/26949\/revisions"}],"predecessor-version":[{"id":26959,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/26949\/revisions\/26959"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/16402"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=26949"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=26949"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=26949"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}